A herb and plant stall in Pasaje Paquito, Belen Market, Iquitos
The Western rational mind can only struggle, to take as an example the famed ‘love potion’ of the Amazon known as the Pusanga. In rational terms it makes no sense whatsoever, how can a concoction of leaves, roots, and seeds attract a lover, or good luck to you?
Howard G Charing & Peter Cloudsley, interview Amazonian Ayahuasca Shaman Javier Arevalo. This article originally appeared in Sacred Hoop Magazine (2002).
My experience working with shamans in preparing Pusangas (which normally is prepared away from their clients so it was a privilege to be invited to participate in the preparation) showed me that far from interfering with the freedom of other individuals or putting a ‘number’ on them, we were altering something within ourselves, which was brought out by the ingredients, the magic of the plants. Whatever it was, it felt wholesome and good. It is what is in oneself… one’s own magic. Asking Javier Arevalo (the shaman) what does the Pusanga actually do, is it inside us or outside of us? His response was “When you pour it onto your skin it begins to penetrate your spirit, and the spirit is what gives you the force to pull the people. The spirit is what pulls”.
The anthropological term ‘sympathetic magic’ does not give this justice, to illustrate this, the water used in the preparation of an authentic pusanga (which has been specifically made for you) has been collected from a deep trek in the rainforest, sometimes 40 or 50 miles, where there are no people and where clay pools collect and thousands of the most beautiful coloured parrots and macaws gather to drink from them for the mineral content. Now the great leap of imagination required is to bring into yourself the knowledge, the feeling, the sense that the water in the Pusanga has drawn in or attracted thousands of the most brightly coloured creatures on the planet. If you do this, it can generate a shift in consciousness in you.
You can sample this for yourself, just find a quiet moment and space, close your eyes, and with the power of your imagination as the launch pad, draw in the verdant, abundant forest filled with life, colour, and sound. Sense the rich vibrancy of the rainforest as a single breathing rhythmic totality of life force. When you have this image, expand it to include, the humid warmth, the smell of earth, the scent of plants, hear the sound of insects and bird song, allow all your senses to experience this. Then with a conscious decision draw this sensory experience into your being. Whenever you are ready, open your eyes, and check how you are feeling.
Howard G Charing & Javier Arevalo
Maestros do not invent diets, they are given by the plant spirits themselves, but there is more to it than simply abstaining from certain foods and activities. It involves a state of purification, retreat, commitment, and respect for our connection with everything around us - above all the rain forest. When we listen to our dreams, they become more real, and equally important as everyday life.
Morality and Power
This is a subject that is worth looking at as we in the West and particularly those who are engaged in following a perceived spiritual path in which there is an implicit or explicit ethical component, find the use of a pusanga (or equivalent) to attract a specific person an action which takes away and subverts that person’s free will. This is criticised as an unmoral and harmful action occurring within a tradition or system without perceived , never mind understood moral values.
This moral view is not shared in other societies and traditions, and there is a profound difficulty experienced by Westerners in assimilating this concept of values surrounding power.
The cause of this difficulty is by an absence of congruence between the moral code of the observer, usually a member of the religions emanating from the Levant, typically Judaism, Christianity, Islam, and including the varied ‘new age’ spiritual paths (which have absorbed much of the external hierarchical concepts from these religions). These religions all possess the central and dominant characteristic of projecting the concept of ultimate ‘goodness’ on an external supernatural being which operates both outside of his creation and outside the laws of the universe , who himself decides which laws are to be implemented; “let this and that come to pass!”, and at the same time this supernatural being possess the mantle of a ‘personal god’ who has delivered a revelation which is described in a book, that people are to read and reverently accept, not to criticise, but to unquestionably accept and obey.
Now in all of this , those who would reject, or do not know these holy and inviolate scriptures are judged as jeopardising their eternal soul, and in effect are outcasts from their maker, typically the native and indigenous peoples (who have not yet been saved by the missionaries). So from this cultural theme there is a tendency to judge as inferior or despicable other cultural imperatives.
For example the Amazonian (amongst others) tradition portrays a spectrum of existential states, with the highest or most desirable being that of the powerful person, and the lowest or least desirable being that of the powerless person. Power is defined as the ability to do what one wishes, obtain wealth, make others perform desired actions (even against their will), or harm others without being punished or harmed in return. The proof of power is the individual's material wealth, or social and political status, and their ability to offer patronage. These are not received as immoral acts, and I recall with my colleague Peter Cloudsley attempting to relay the Western view to Javier Arevalo without any success. The conversation went as follows;
Howard & Peter: “Something we make a big problem out of in the West, is that a shaman might be a magician to one person and a sorcerer to another. Asking for the pusanga to attract a specific person takes away that person’s choice. We see it as bad. How do you see it?”
Javier: “Take the case of a woman who refuses when you offer her a Coca Cola because she thinks you are lower class and that she is better than you. She might want others to think that she is better than you. That makes you feel like rubbish so you go to a shaman and tell him the name of the girl. He prepares the pusanga. Three days go by without seeing her and she begins to think about you, dreaming about you and begins looking for you”
Howard & Peter: “Yes, we understand, but in our culture we think its wrong to counteract someone’s will.”
Javier: “But its only so that she will want you for the moment, so she’ll go to bed with you and then she can go”.
Howard & Peter: “(laughing) But if it happened to me, and let’s say I originally found her unpleasant and she did it to marry me I’d be outraged! It would be awful if I only discovered after having children and making a home with her! And would I ever know?”
Javier: “You would be hopelessly in love with her, you’d never know. That’s why it’s a secret.”
Howard & Peter: “Can a jealous third party separate a couple or break a happy marriage?”
Javier: “Yes, they can ruin a happy home. They come as if to greet the couple and soon after the couple are arguing and hating each other and the third party is secretly having sex with one of them”.
Howard & Peter: “Is this why people from Lima are afraid of the girls from Iquitos?”
Javier: “Yes it happens, they think they are dangerous and will break up their homes.”
Howard & Peter: “Does anyone have freedom if everyone is using pusanga?”
Javier: “its normal you get used to it.”
Howard & Peter. “We like to think we are free, this suggests that we are constantly subject to other peoples’ Pusanga.”
Javier: “laughing, but you all want women, and women all want men!”
Eventually we realised that there was no way that we could communicate this Western ‘moral’ viewpoint. Javier did not see that there was a problem. It was a massive cultural divide we could not cross. His people feel free the way they are and can have extramarital sex using magical means of attraction and without attaching our Western guilt to it.
Looking at this ‘down to earth’, guilt trip free viewpoint, on an earlier occasion when Javier asked the group that I was leading, what they really wanted deep down in their lives, many people gave cosmic, transpersonal, and spiritual sounding answers and were quite mute when he spoke about Pusanga. After a while the participants opened up to their feelings and many admitted they wanted love, apparently behind their desire to put the world to right, resolve planetary issues, and speak to the flowers. It was as though it were not acceptable to wish for love. Javier remarked “These thoughts tangle up their lives. Love solves problems”.
As an observation, if we (and that’s all of us) had more love in our lives, maybe we wouldn’t be worried so much about the state of the world, and be less judgemental, destructive, and just simply be willing to help others and alleviate suffering. It is because people do not have enough of this precious and enriching commodity that we live our lives increasingly bombarded by aggression, with new definitions , ‘road rage’ , ‘air rage’ , ‘safety rage’, ‘word rage’, ‘whatever-you-want rage’ We would also need less material goods, and titles all of which reinforce the boundaries of the ego-mind and separate us from each other and the natural world.
For More information about our Amazonian Ayahuasca Retreats, visit our website;
Ayahuasca Retreats in the Amazonian Rainforest
Tuesday, July 31, 2007
San Pedro the Cactus of Vision - Plant Spirit Shamanism of Northern Peru
Shamans from different cultures and traditions have been using psychoactive plants since the dawn of human emergence. These plants have been used traditionally for guidance, divination, healing, maintaining a balance with the spirit or consciousness of the living world.
Howard G. Charing and Peter Cloudsley talk with Maestro Juan Navarro
You can view the original article which first appeared in Sacred Hoop Magazine (Summer 2004 edition) on Howard's website at; San Pedro Article
The hallucinogenic San Pedro cactus has been used since ancient times, and in Peru the tradition has been unbroken for over 3,000 years. The earliest depiction of the cactus is a carving showing a mythological being holding a San Pedro, and dates from about 1300 bc. It comes from the Chavín culture (c.1400-400 bce) and was found in a temple at Chavín de Huantar, in the northern highlands of Peru. Later, the Mochica culture, (c.500 ce) used the cactus in their iconography. Even in present day mythology, it is told that God hid the keys to heaven in a secret place and San Pedro used the magical powers of a cactus to discover this place; later the cactus was named after him.
La Mesa Norteña
Juan Navarro was born in the highland village of Somate, department of Piura. He is a descendant of a long lineage of healers and shamans working with the magical powers of the sacred lakes known as Las Huaringas which stand at 4,000 metres and have been revered since earliest Peruvian civilization. At the age of eight, Juan made his first pilgrimage to Las Huaringas, and took San Pedro for the first time. Every month or two it is necessary to return here to accumulate energy and protection to heal his people. As well as locals and Limeños (people from Lima), pilgrims also come from many parts of South America.
During the sessions Juan works untiringly, assisted by his two sons - as is common in this traditions - in an intricate sequence of processes, including invocation, diagnosis, divination, and healing with natural objects, or artes. The artes are initially placed on the maestro's altar or mesa, and picked up when required during the ceremony. These artes are an astonishing and beautiful array of shells, swords, magnets, quartzes, objects resembling sexual organs, rocks which spark when struck together, and stones from animals' stomachs which they have swallowed to aid digestion! The artes are collected from pre-Colombian tombs, and sacred energetic places, particularly Las Huaringas.They bring magical qualities to the ceremony where, under the visionary influence of San Pedro, their invisible powers may be experienced. The maestro's mesa - a weaving placed on the ground on which all the artes are placed, (mesa also means 'table' in Spanish) - is a representation of the forces of nature and the cosmos.Through the mesa the shaman is able to work with and influence these forces to diagnose and heal disease.
The traditional mesa norteña has three areas: on the left is the campo ganadero or 'field of the dark'; on the right is the campo justiciero or the 'field of the light' (justiciero means justice); and in the centre is the campo medio or 'neutral field', which is the place of balance between the forces of light and dark. It is important for us not to look at these forces as positive or negative - it is what we human beings do with these forces which is important. Although the contents and form of the artes varies from tradition to tradition, the mesa rituals serve to remind us that the use and power of symbols extends throughout all cultures.
SAN PEDRO
San Pedro (trichocereus pachanoi) grows on the dry eastern slopes of the Andes, between 2,000 - 3,000 metres above sea level, and commonly reaches six metres or more in height. It is also grown by local shamans in their herb gardens. As can be imagined, early European missionaries held the native practices in considerable contempt, and indeed were very negative when reporting the use of the San Pedro. Yet a Spanish missionary, cited by Christian Rätsch, grudgingly admitted the cactus' medicinal value in the midst of a tirade reviling it: "It is a plant with whose aid the devil is able to strengthen the Indians in their idolatry; those who drink its juice lose their senses and are as if dead; they are almost carried away by the drink and dream a thousand unusual things and believe that they are true. The juice is good against burning of the kidneys and, in small amounts, is also good against high fever, hepatitis, and burning in the bladder." A shaman's account of the cactus is in radical contrast:
"It first ... produces ... drowsiness or a dreamy state and a feeling of lethargy ... a slight dizziness ... then a great 'vision', a clearing of all the faculties ... it produces a light numbness in the body and afterward a tranquillity. And then comes detachment, a type of visual force ... inclusive of all the senses ... including the sixth sense, the telepathic sense of transmitting oneself across time and matter ... like a kind of removal of one's thought to a distant dimension."
San Pedro, considered the 'maestro of the maestros', enables the shaman to make a bridge between the visible and the invisible world for his people.The Quechua name for it is punku, which means 'doorway'. The doorway connects the patient's body to his spirit; to heal the body we must heal the spirit. San Pedro can show us the psychic causes of illness intuitively or in mythical dream language. The effects of San Pedro work through various stages, beginning with an expanded physical awareness in the body. Soon this is followed by euphoric feelings and then, after several hours, psychic and visionary effects become more noticeable.
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Talking with Juan Navarro
What is the relationship of the maestro
with San Pedro?
In the north of Peru the power of San Pedro works in combination with tobacco. Also the sacred lakes Las Huaringas are very important. This is where we go to find the most powerful healing herbs which we use to energize our people. For example we use dominio [linking one's intent with the spirit power of the plants] to give strength and protection from supernatural forces such as sorcery and negative thoughts. It is also put into the seguros - amulet bottles filled with perfume, plants and seeds gathered from Las Huaringas. You keep them in your home for protection and to make your life go well. These plants do not have any secondary effects on the nervous system, nor do they provoke hallucinations. San Pedro has strength and is mildly hallucinatory, but you cannot become addicted. It doesn't do any harm to your body, rather it helps the maestro to see what the problem is with his patient. Of course some people have this gift born in them - as our ancestors used to say, it is in the blood of a shaman.
Is San Pedro a 'teacher plant'?
Of course, but it has a certain mystery.You have to be compatible with it because it doesn't work for everybody.The shaman has a special relationship with it. It circulates in the body of the patient and where it finds abnormality it enables the shaman to detect it. It lets him know the pain they feel and whereabouts it is. So it is the link between patient and maestro. It also purifies the blood of the person who drinks it. It balances the nervous system so people lose their fears, frights and traumas, and it charges people with positive energy. Everyone must drink so that the maestro can connect with them. Only the dose may vary from person to person because not everyone is as strong.
What about the singado? (inhalation of tobacco juice through the nostrils)
The tobacco leaf is left for two to three months in contact with honey, and when required for the singado it is macerated with aguardiente, or alcohol. How it functions depends on which nostril is used; when taken in by the left side it is for liberating us of negative energy, including psychosomatic ills, pains in the body, bad influences of other people - or 'envy' as we call it here. As you take it in you must concentrate on the situation which is going badly, or the person which is giving out a negative energy.
When taken through the right nostril it is for rehabilitating and energizing, so that your projects go well. It's not for getting high on. Afterwards you can spit the tobacco out or swallow it, it doesn t matter. It has an interrelation with the san pedro in the body, and intensifies the visionary effects.
Tobacco is an important plant in the ceremonies - can you smoke in the session? No, no, no. It may be the same plant but here another element comes into play, which is fire. As the session is carried out in darkness, the fire in the darkness can perturb, create a negative reflection or vision. It can cause trauma.
You use a chungana (rattle) during the san pedro sessions and I 'see' the sound as a beam of a light penetrating the darkness. Yes, sound and light are interrelated. Chunganas are used to invoke the spirits of the dead, whether of family or of great healers, so that they may feel comfortable with us. the chunganas are to give us 'enchantment' (protection and positive energy) and it has a relaxing effect when taking san pedro.
What is the power of the artes - the objects on the mesa?
They come from Las Huaringas, where a special energy is bestowed on everything, including the healing herbs which grow there and nowhere else. If you bathe in the lakes it takes away all your ills. You bathe with the intention of leaving everything negative behind. People go there to leave their enemies behind, so they can't do them any harm. After bathing, the maestro cleanses you with these artes, swords, bars, chontas (bamboo staffs), saints, and even huacos (the powers from ancient sacred sites). They 'flourish' you - spraying you with agua florida
(perfume) and herb macerations, and giving you sweet things like limes and honey, so your life flourishes. We maestros also need to go to Las Huaringas regularly because we make enemies from healing people, so we need to protect ourselves. The reason for this is that two forces exist: the good and the bad. The bad forces are from the pacts which the brujos (sorcerors with negative
intentions) make with the devil. The brujo is the rival of the curandero or healer. So when the curandero heals, he makes an enemy of the brujo. It's not so much because he sends the bad magic back, as because he does the opposite thing to him, and they want supremacy in the battle. Not far from Las Huaringas is a place called Sondor, which has its own lakes. This is where evil magic is practiced and where they do harm in a variety of ways. I know because as a curandero I must know how sorcery is practiced, in order to defend myself and my patients.
Do people go there secretly?
Of course no one admits to going there, but they pass through Huancabamba just like the others who are going to Las Huaringas. I know various people who practice bad magic at a distance.They do it using physical means, concentrating, summoning up a person's soul, knowing their characteristics etc. and can make them suffer an accident, or make an organ ill or whatever, or make their work go badly wrong.They have the power to get to their spirit. And people can even do harm to themselves. For example, if a person has bad intentions towards another and that person is well protected with an encanto, (amulet) then he will do himself harm.
How does the 'rastreo' (diagnosis through psychic means) work? Are you in an altered state?
No, I'm completely normal and lucid. What allows the reading of a person's past, present or future, is the strength of the san pedro and tobacco. It is an innate capability -not everybody has the gift, you can't learn it from someone, it is inherited. The perceptions come through any one of the senses - sound, vision, smell, or a feeling inside of what the person is feeling, a weakness, a pain or whatever. Sometimes, for instance, a bad taste in the mouth may indicate a bad liver. All the things on the mesa are perfectly normal, natural things: chontas, swords, stones etc. They have just received a treatment - like a radio tuned to a certain frequency - so they can heal particular things, weaknesses or whatever. But always it is necessary to concentrate on the sacred lakes, Las Huaringas.
Is it necessary for the maestro to take San Pedro to have vision?
Of course, he must take San Pedro and tobacco. But it is to protect himself from the person's negativity and illness, not because he needs it to have the vision.
In conclusion, we must acknowledge that we, as humans, have realised from earliest times that knowledge goes beyond sensory awareness or the rational way of understanding the world. San pedro can take us directly to a telepathic communion and show us that there is no such thing as an inanimate object. Everything in the universe is alive and has a spirit. This is the gift of the plants which offer us a doorway into the infinite.
Juan Navarro was born in the highland village of Somate, department of Piura. He is a descendant of a long lineage of healers and shamans working with the magical powers of Las Huaringas.
For Details of our Andean and Amazonian Retreats, visit our website; Andean and Amazonian Retreat Programme
Saturday, July 28, 2007
Preparation for the Ayahuasca Experience
There has been a huge surge of interest in Ayahuasca recently. There is a growing belief that it is a kind of ‘medicine for our times’, giving hope to people with ‘incurable’ diseases like cancer and HIV, drug addictions and inspiring answers to the big ecological problems of modern civilization.
General Information about Ayahuasca
After being virtually ignored by Western civilization for centuries, there has been a huge surge of interest in Ayahuasca recently. There is a growing belief that it is a kind of ‘medicine for our times’, giving hope to people with ‘incurable’ diseases like cancer and HIV, drug addictions and inspiring answers to the big ecological problems of modern civilization.
Spirituality is at the centre of the Ayahuasca experience. Purification and cleansing of body, mind, and spirit in a shamanic ceremony can be the beginning of a process of profound personal and spiritual discovery and transformation. This process can continue indefinitely even if one never drinks Ayahuasca again. One thing is sure, and that is that every person gets a unique experience. We believe that by seriously looking at the way Ayahuasca is used we can improve our life experience and benefit more from this medicine.
Ayahuasca is the jungle medicine of the upper Amazon. It is made from the ayahuasca vine ( Banisteriopsis Caapi) and the leaf of the Chacruna plant (Psychotria Viridis). The two make a potent medicine, which takes one into the visionary world. The vine is an inhibitor, which contains harmala and harmaline among other alkaloids, and the leaf contains vision-inducing alkaloids. As with all natural medicines, it is a mixture of many alkaloids that makes their unique properties. For example, Peyote, the cactus used by the North Native Americans, is said to contain 32 active alkaloids, so when one of those alkaloids, mescaline (LSD) is synthesised in a laboratory, contrary to popular opinion, the result is not at all the same.
The oldest know object related to the use of ayahuasca is a ceremonial cup, hewn out of stone, with engraved ornamentation, which was found in the
Pastaza culture of the Ecuadorian Amazon from 500 B.C. to 50 A.D. It is deposited in the collection of the Ethnological Museum of the Central
University (Quito, Ecuador). This indicates that ayahuasca potions were known and used at least 2,500 years ago.
Ayahuasca is a name derived from two Quechua words: aya means spirit, ancestor, deceased person, and huasca means vine or rope, hence it is known as vine of the dead or vine of the soul. It is also known by many other local names including yaje, caapi, natema, pinde, daime, mihi, & dapa. It plays a central role in the spiritual, religious and cultural traditions of the Indigenous and Mestizo (mixed blood) peoples of the upper Amazon, Orinoco plains and the Pacific coast of Colombia and Ecuador.
The plants are collected from the rainforest in a sacred way and it is said that a shaman can find plentiful sources of the vine by listening for the 'drumbeat' that emanates from them. The mixture is prepared by cutting the vines to cookable lengths, scraping and cleaning them, pounding them into a pulp. Meanwhile the Chacruna leaves and picked and cleaned.
So what, perhaps, is the advantage of ayahuasca over other disciplines? In the words of Padrino Alex Polari de Alverga of the Santo Daime Community in Brazil, "Daime (ayahuasca) is basically a shortcut, it's as if we had been travelling down the same highway as the rest of humanity, but then, in order to arrive at our destination more quickly we took a side road. When taking such a shortcut, however, we must be very careful and clear-minded. It is a shortcut that leads us to truth, but only if we follow in the footsteps of the Masters who have preceded us."
Medicines like ayahuasca can help us along our path but we still have to do the work ourselves. My experience is that these kind of allies can help us open the doors of perception, but what we do when we get there is entirely our own challenge.
To understand ayahuasca in the local context, one cannot avoid taking a look at the ecological environment, such as the forest, cultural environment and indigenous cultures. This has structured the cultural content of ayahuasca.
There are many legends and myths about ayahuasca, one the more romantic is from the Shipibo people who live up the river in the heart of the jungle in the Peruvian Amazon.
This tale is centered around women, more so than men, as they look after the children and their health, whilst the men are out hunting and fishing. Men are more interested in plants that aid their inner spirits whilst hunting. Women are more interested in plants that will allow their children to grow.
There was one particular woman who was very interested in plants, who liked to pick the leaves of different plants. She would then crush the leaves into a pot and soak them in water over night. She would then take a bath every morning before sunrise (the way to find out about various plants and their effects is to bathe in them). She bathed in them every morning until she had a dream. In her dream a woman came and said, “why are you bathing every day?”
She answered, “I am doing this as I want you to teach me.” The other woman said, “You must seek out my uncle, his name is Kamarampi. I will show you where to find him”. The woman led the other woman to her uncle. The uncle showed her how to mix the leaves of the chacruna, which was a bush she had taken leaves from to bathe in. He showed her how to prepare the brew of Ayahuasca, he told her to go and tell the people the knowledge of how to use the brew. The Indigenous people past and present have taken Ayahuasca to enable them to focus on other dimensions. One example: - To enable them to be more successful on a hunting trip they would contact the Mother spirit of certain species, through the Ayahuasca. The hunt would be more successful.
One of the many mysteries surrounding Ayahuasca is how the vine became to be used with the Chacruna leaves as although they both come from the same soil but always grow apart otherwise the ayahuasca winds around the Chacruna and kills it. No one knows this but we get a clue from how the shamans interact with the plant. Javier Arevalo a shaman from the Peruvian Amazon told us “ in the old days his grandfather and uncles used to sit around after taking ayahuasca and he said that ayahuasca was originally taken alone and in the visions they saw that Chacruna was missing. Ayahuasca would say I am the doctor that gives the vision. His grandfather responded, how can we find this plant? The response in the vision was, you can find it by turning two corners. So they went around two corners and found a bush which attracted them which was Chacruna i.e. the ayahuasca showed them.
This is a fundamental principle, in the visions it is the spirit doctor of ayahuasca which tells them what is wrong with their patient, what medicine they need, or who has caused the illness or malaise.
The Icaros
Integral to the ceremony are the chants that the shaman sings. These are known as Icaros, and the chant will direct the nature of the ceremony or visionary experience for the group and for individuals as the shaman during the ceremony will chant specific Icaros for that person’s needs.
The words of the chants are symbolic stories telling of the ability of nature to heal itself. For example the crystalline waters from a stream wash the unwell person, while coloured flowers attract the hummingbirds whose delicate wings fan healing energies etc. You might see such things in your visions but the essence which cures you is perhaps more likely to be the understanding of what is happening in your life, allowing inner feelings to unblock so that bitterness and anger con change to ecstasy and love. To awaken from the ‘illusion of being alive’ is to experience life itself.
There are several different kinds of Icaros, at the beginning of the session. Their purpose is to provoke the mareacion or effects, and, in the words of Javier Arevalo, ‘to render the mind susceptible for visions to penetrate, then the curtains can open for the start of the theatre’.
Other Icaros call the spirit of Ayahuasca to open visions ‘as though exposing the optic nerve to light’. Alternatively, if the visions are too strong, the same spirit can be made to fly away in order to bring the person back to normality.
There are Icaros for calling the ‘doctors’, or plant spirits, for healing, while other Icaros call animal spirits, which protect and rid patients of spells.
Healing Icaros may be for specific conditions like manchare, which a child may suffer when it gets a fright. The spirit of a child is not so fixed in its body as that of an adult, therefore a small fall can easily cause it to fly. Manchare is a common reason for taking children to ayahuasca sessions.
Preparation for the Ayahuasca Experience
In the West there are lots of stories like ‘Jack and the Beanstalk’ reminding us that plants have spirit power, Alice in Wonderland explored this world too. There is a large body of knowledge of power plants even if the form has been adapted to fairy tales and ‘domesticated’, not to under rate the richness of Grimms’ tales.
When a person drinks Ayahuasca, especially with a trusted shaman, there is a chance to learn and trust the plant. You discover that it works in its own way. It is a great moment getting to this point. Then there is the question of whether the plant trusts us, because it can be abused and used for getting the wrong kind of personal power. Without intention, vision, preparation, and a shaman, it is a drug not a healing medicine.
A major difficulty for Westerners is the diet and the living conditions in the rainforest. There is also the care clients need afterwards, as one is extremely vulnerable after drinking Ayahuasca. Also some of our attitudes need to change, for example some people find vomiting unpleasant.
In the Ayahuasca ceremony purgative cleansing of the physical body is an essential preparation for the new level of emerging consciousness. Vomiting and occasionally brief diarrhoea are common effects during the initial sessions.
The Shaman's Diet
An integral element of this preparation is to undertake a diet intended to reduce excessive sugar, salt, oils, pork, fat, and spicy food in the body in
preparation to be in communion with the spirit of Ayahuasca. Reduction of these should commence as soon as one commits to the experience.
Pork in particular is considered to be impure and is studiously avoided by Ayahuasca practitioners. Complete abstinence from pork and lard for at least two weeks prior to the first ceremony is recommended to participants to reduce the impact of the purge. It is also recommended that this abstinence continue for at least two weeks after the final ceremony.
In the initiatory diet for those seeking personal cleansing and healing, chicken, fish, wild game meat, fruits, and vegetables may be eaten but with little if any salt, sugar, oils or spices. The cleansing effect and strength of the visionary experience can be greatly enriched by one's commitment to these preparations.
Sexual abstinence also forms part of the diet and is a traditional requirement of Ayahuasca cleansing and healing. We recommend abstinence from sexual activity for a few days prior to the ceremony, and to continue a day or two after the last ceremony.
As all Amazonian shamans will tell you, and in the words of Dona Cotrina
“ Sex is bad. The ‘mother plant’ loves you and if you make love to another person, you are being unfaithful to her”. For this reason it is often said that Ayahuasca is jealous, and if you do not respect her, she makes you ill instead of healing you. You will also not be able to see any visions. The ill effects from not respecting the diet are called cutipa and range from a sense of trauma and stress to skin problems.
Menstrual cycle.
This is a complex issue in the Amazonian tradition. Basically women in their menstrual cycle are not permitted by Amazonian shamans and curanderos to be present in the preparation of the brew, drink Ayahuasca or attend the ceremonies. This is an ancient tradition rooted mainly in safety considerations rather than sexism, as female shamans in the Amazon also follow these prohibitions.
Some shamans say the presence of a woman in menstrual flow prevents them from "seeing" the causes of illness among those present in the ceremony, thus obstructing their ability to make diagnoses and facilitate healing.
Although Eagle’s Wing are unable to make any exception as this rule is observed by shamans in the Ayahuasca tradition, our experience is that shamans have a degree of flexibility and can perform a special chacapa session with participants to address this.
Medical Precautions
It is important to know that, in some cases, the consumption of Ayahuasca in combination with some groups of prescription & non-prescription medicines can bear health risks.
1. Prescription Medicines
If you are taking prescription medication (including antibiotics), are subject to high blood pressure, have a heart condition, or are under treatment for any health condition), please consult your GP.
1.1 Anti-depressants
Ayahuasca (Banisteriopsis Caapi) contains MAOI’s (monoamine oxidase inhibitors) generally in the form of harmine and harmaline therefore Medical consultation is essential if you are taking Prozac or other antidepressants affecting serotonin levels, i.e. serotonin selective re-uptake inhibitors (SSRI).
SSRI’s block the reuptake of serotonin in the brain and because MAOI’s inhibit breakdown of serotonin, the combination of MAOI’s and SSRI’s can lead to too high levels of serotonin in the brain. SSRI’s are much more common than MAOI’s which are found in some anti-depressants. Consult your GP about the use of temporary monoamine oxidase inhibitors (MAOI).
These medications generally require a period of six to eight weeks to completely clear the system and must be reduced gradually.
2. Non-Prescription Medicines
Non-prescription medications such as antihistamines, dietary aids, amphetamines and derivatives, and some natural herbal medicines, i.e. those
containing ephedrine, high levels of caffeine, or other stimulants, may also cause adverse reactions. We recommend that you discontinue all such medications, drugs, and herbs for at least one week prior to and following work with Ayahuasca.
3. Recreational Drugs
Avoid all recreational drugs, in particular MDMA (Ecstasy), cocaine, heroin. Also do not drink alcohol on the day of the ceremony.
4. Herbal Remedies
Use of herbal remedies for depression such as St John’s Wort (which also influence the serotonin levels) need to be discontinued as per 2 above.
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA), and has published numerous articles about plant medicines. Website Ayahuasca Retreats in the Amazon Rainforest
Shipibo Ayahuasca Shaman Leoncio Garcia Interviewed.
Interviewed at Mishana Private Retreat Centre, Amazon Rainforest with Peter Cloudsley August 2005.
The Shipibo are one of the largest ethnic groups in the Peruvian Amazon. These ethnic groups each have their own languages, traditions and culture. The Shipibo which currently number about 20,000 are spread out in communities through the Pucallpa / Ucayali river region. They are highly regarded in the Amazon as being masters of Ayahuasca, and many aspiring shamans and Ayahuasqueros from the region study with the Shipibo to learn their language, chants, and plant medicine knowledge. In this article we interview the Shipibo maestro Leoncio Garcia.
We interviewed Shipibo maestro Leoncio Garcia, a man in his mid seventies but with the appearance of a man twenty years younger. Again a testimonial to the youth giving qualities of Ayahuasca and the plant medicines of the Amazon Rainforest.
Leoncio Garcia
"I didn’t become a shaman until I was 50, I am now 74. I was always so busy working in the chacra, or cutting wood, it was only when I began to get a bit older. Until then I had taken Ayahuasca for all the usual reasons of health, but that was all. After deciding to do the diet I drank Ayahuasca seriously but I didn’t see anything and didn’t think I would learn anything but still I kept on drinking every night and didn’t sleep. With just one day to go before completing three months’ diet, I had a tremendous vision and I began to chant and continued all night until dawn. I saw under the earth, under the water, and into the skies, everything. Probably I was learning from the sprits during the diet but I didn’t understand. After that I could see what the matter was with people. I dieted pinon Colorado and tobacco first and then tried all the other plants.
This was in San Francisco, a Shipibo community on Yarinacocha, Pucullpa where I was born. After this I went to Huancayo for six months to try my medicine. Then I went to Ayacucho and then a Senor took me to Lima to heal his wife. After two months I was taken to Trujillo and then Arequipa, Cusco, Juliaca, Puno. Everything worked out well and I worked with a doctor once who was not very successful and soon there were people queuing outside her consultancy. Eventually I came to Iquitos in 2000 and I haven’t had time to return to my family since then, I just send them money. When I go round to people blowing tobacco smoke it is to give them arcanas, to protect them so that when things happen around them it doesn’t hurt them or make them ill.
Leoncio tells a Shipibo (cautionary) myth? There was once a wise man called Oni who knew what each and every healing plant could be used for. He knew all their names and one day he saw a liana and recognized it as Ayahuasca and he learned to mix it with Chacruna. One night he tried it and learned so many things that he carried on drinking it. But because he went on drinking so long and often he stopped eating and drinking, and just chanted day and night. Now he had two sons and they said ‘come and have breakfast Papa’, but he carried on drinking Ayahuasca and when they tried to pick him up, he was stuck to the ground and couldn’t be moved. So they left him chanting to all the plants everyday and night and they noticed that Ayahuasca was growing out from his fingers. So the sons went back to their chacras and after a month came back again, to see their father. Everywhere Ayahuasca ropes had tangled around him and still he continued chanting day after day and the forest carried on growing around him. After a few more months, he had merged with the forest itself and that is why its called Ayahuasca, rope of the dead and in Shipibo Oni."
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). His website: Ayahuasca Retreats with Eagle's Wing
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The Medicine Plants of the Amazon Rainforest
The traditional shamans and healers of the Amazon Rainforest have been working with some of the most remarkable plants which have both powerful medicinal and psycho-spiritual properties for many thousands of years. This article explores these ancient traditional ways of the plant shamans by the author of Plant Spirit Shamanism (published by Destiny Books USA).
Working with teacher plants is known as the ‘shaman’s diet’. The purpose of the diet is to prepare the body and nervous system for the powerful knowledge and expansion of consciousness given by teacher plants.
In everyday life, the mind creates the illusion that we are separate from reality, and thus protects us, like a veil, from experiencing the vastness of the universe. Access to the truth without preparation could be a radical shock to the system.
It offers a significant challenge for the rational Western mind to come to terms with the teacher plants, and a leap of imagination is required to incorporate the ‘other’ consciousness of the plant. The magical world to which we are transported by plants is not accessible through the verbal rational mind but through dream language or an expansion of the imagination. Thus dreams & our imaginative powers act like doorways during a plant diet and connect us with the plant spirit.
Some of the Medicinal Plants of the Amazon Rainforest.
Mocura; taken orally or used in floral baths to raise energy, or take you out of a saladera (a run of bad luck, inertia, sense of not living to the full). This plant gives mental strength and you can feel its effects as also with ajosacha, both are varieties of garlic and have a penetrating aroma. Mental strength means it could be good to counter shyness, find one’s personal value or authority. Medicinal properties include asthma, bronchitis, reduction of fat and cholesterol. Another of its properties is that it burns of excess fat.
Piñon Colorado; this plant has short lived effect after drinking but helps dreaming later on when you go to sleep. Piñon Colorado can also be worked with as a planta maestra (teacher plant). Medicinal properties include dealing with Insect bites and stings, vaginal infections, and bronchitis. It is possible to take the resin which is much stronger but toxic if too much ingested. The resin can be applied directly to the skin.
Chirisanango; this plant is good for colds and arthritis and has the effect of heating up the body, so much so that the maestro advises a cold shower after each dose! This plant can be used in baths for good luck, and bring success to fishing, hunting etc. This planta maestra also makes possible for people to open up their heart to feel love for people and animals, and identify with other people as though brothers and sisters.
It grows mainly in the Upper Amazon and only a few restingas (high ground which never floods) in the Lower Amazon. The shamans say that plants connect us with nature because they take their nourishment directly from the earth, as well as the sun’s rays, the air. They allow us to know and recognize ourselves. A shaman must know this and must love his people to heal them. The gift of Chirisanango is self esteem i.e the ability to recognise ourselves.
The shamans say that this plant opens up the shamanic path, assuming that we are prepared to live under the rules of shamanism, to do this we need courage and no fear of extremes or negative & challenging circumstances. We need to understand what role we will play in society and have the heart of a warrior.
Guayusa; It is good for excessive acidity and other problems in the stomach and bile. Also it is both energizing and relaxing at the same time and develops mental strength. This also has the most interesting effect of giving lucid dreams i.e when you are dreaming you are aware that you are dreaming. The plant is also known as the "watchman's plant", as even when sleeping you are aware of the outer physical surroundings.
On another personal note, I found the experience with this plant also to be quite incredible. I found that the usual boundary between sleeping and being awake to be more fluid than I had anticipated. Even now, sometime after taking the plant my dreams are more colourful, richer, and lucid than before. For those interested in 'dreaming' this is certainly the plant to explore.
Ajo Sacha; An important planta maestra in the initiation of Amazonian shamans. Mental strength, acuity of mind, saladera (explained above), for ridding spells, self healing. Originally used to enhance hunting skills by covering up human smell with the garlic smell of Ajosacha.
On another personal note, I found my senses being altered and enhanced with this plant. I could zoom in and focus on sounds emanating from the rainforest, my sense of smell became sharper, and in some ineffable way I could tune into the breathing or rhythm of the rainforest. The sound of insects and birds was no longer a random phenomenon, these sounds became a rhythmic breath, rising and falling. No wonder that it is used for hunting as one's sense are heightened in an incredible way.
Icoja; A bark used for malaria, fever, an astringent, disinfectant for healing septic wounds. Used against Uta - a kind of leprosy found in the Amazon. Wounds are washed directly with this plant, and it is also used for an infectious disease (Pilagra) in children.
Chanca piedra; Used for Kidney problems especially kidney stones (hence the name ‘stone crusher’), gall bladder, disinfectant. This is recognised as a gall bladder and liver tonic. It is also used for cleansing the urinary system and for dealing with intestinal parasites. This plant is only used for its many pharmaceutical properties, not a planta maestra per se.
Sachamangua; This is a large single seeded fruit, which when you crush the fruit and squeeze the juice into the nose, it warms the area locally (it can sting a bit), and it is effective for curing sinusitis. It also helps the eyesight and restores visual acuity by relieving the pressure from the sinuses. You eliminate a lot of mucus and this gives relief. The fruit when ripe is normally eaten peeled or roasted, and is a little like the aguaje fruit, but for medicinal uses it must be green. It is also good for tired feet in an poultice. Taken orally it is useful for the liver when struggling with the digestion of fat, it is also a treatment for gases. Fungal spores in the nose can cause itching, rhinitis or allergy and Sachamangua is effective for this too. Athlete’s foot can also be treated with the dry powder, like talcum powder, prepared from this fruit.
Cat’s Claw (una de gato); Cat's Claw is a tropical vine that grows in rainforest. This vine gets its name from the small thorns at the base of the leaves, which looks like a cat's claw. These claws enable the vine to attach itself around trees climbing to a heights up to 150 feet. The inner bark of this vine has been used for generations to treat inflammations, colds, viral infections, arthritis, and tumors.
Cat's Claw can be used as tonic to boost the body's immune system. And is considered by many as a ‘balancer’ returning the body's functions to a healthy equilibrium. Its has anti-inflammatory and blood cleansing properties as well as being able to clean out the entire intestinal tract and therefore helps treat a wide array of digestive problems such as gastric ulcers, parasites, and dysentery.
From a psycho-spiritual, plant spirit, or shamanic perspective in which disease and illness can be initiated by a spiritual imbalance within a person causing the person to become de-spirited, or losing heart (in the West we would call this depression), it can restore this inner sacred union of spirit and physical body.
The medicinal properties of this plant are officially recognized by the Peruvian government and it is a protected (for export) plant. It is available widely in the west in capsule form. In the markets in Iquitos it is available in bark form, and many indigenous communities are increasingly cultivating this plant
Boahuasca; Used to heal Cancer of the stomach and intestines and prolapses. Also used against Uta, and cancerous, malignant wounds. The shaman's make an ointment from the ash and apply directly.
The underlying truth that is revealed in working with the plant spirit or consciousness is that we are not separate from the natural world. We perceive ourselves to be separate beings with our minds firmly embedded within our being (typically our head). The plants can show you that this way of being is an illusion and that we are all connected, all of us and everything else is a discrete element in the great universal field of consciousness. This is an area where the ancient knowledge of the peoples of the rainforest and modern quantum physics point in the very same direction, “Reality is an illusion, albeit a persistent one’ Albert Einstein.
Another way of seeing the shaman’s diet is that like the platitude ‘all roads lead to Rome’, all plants lead through different paths of experiences to the same place, i.e a deep and expanded understanding of one’s place in the world around us and a recognition of self as an intrinsic element of this.
The indigenous people of the Amazon see life as having enough purpose just as it is. Fulfilment comes from being in tune with the spirits so there is an abundance of fish, bananas, yucca for making masato (alcoholic beverage), and plenty of healthy children, in short, life is for being happy!
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA), and has published numerous articles about plant medicines. Website www.shamanism.co.uk
Psychic Surgeons and Healers of the Philippines.
Over the years there has been much controversy about the so-called miracle healers of the Philippines. Their ability to open peoples bodies and perform operations without the use of any surgical equipment i.e their bare hands or with rusty hunting knives, in the absence of any anaesthetics and the skin of their patient re-seals without any noticeable marking or scars defies not only conventional medical knowledge but also flies in the face of what we consensually call reality. How can a human body open and close by touch? How can solid objects become permeable to allow a hand to move through it?
My encounter with Rogerilio in the Philippines demonstrated that reality is not so solid as we have been led to believe. My experience very much reminded me of Einstein’s quote “reality is an illusion albeit a persistent one!”
I met with Rogerilio at his place which was a simple street side café cum shop selling everything from shampoo sachets to the local boiled egg delicacy which children buy in their hundreds weekly. The waiting room is the café itself and his treatment room is a small curtained off room at the back.
I witnessed and was allowed to both video and photograph Rogerilio at work with his patients who are not only local people but also many who travel from Europe, and the USA come to see him with serious and some diagnosed as terminal illnesses.
Rogerilio works in simple even humble circumstances. There is no running water, no flushing toilet, or other modern facility. He struggles every month to make ends meet to feed and support his wife, 2 daughters, his adopted son, and other members of his family (10 in total). He does not charge patients any money but accepts their donations placed on his altar without any comment. A few times I saw sacks of rice being given in payment for operations which were normally well beyond the means of poor people to pay for as there is no ‘free’ health service either with doctors or hospitals. In fact in many of the outlying provinces and islands there are no doctors, and hospitals are only in the cities.
When I asked Rogerilio where does this healing ability come from, did he study with a maestro? Or where did he learn this? His response is very clear,” it is not me, I am only a tool like a hammer, the Holy Spirit does the work. Please do not consider that it is I doing the healing in anyway. I am not worthy, why me? I can not be enriched thru money by this work in any way, and I do not ask for money.” His wife Lourdes was nodding in acknowledgement to this and then she added, “ every time he stops this work the children get sick, and he becomes weak and ill”. Rogerilio said he has to walk a thin line and it’s not easy “of course” he says (with tongue slightly in cheek) “I would like to gamble, womanise, and drink alcohol, but I can not and do this work. In the absence of any other plausible hypothesis I had no choice but to accept Rogerilio’s explanation how the healing worked and the physical opening took place, after all not only had I seen this with my own eyes, I also had my hand inside people’s bodies.
I asked if there were any other healers in his family, he said no, and added that in fifteen generations he is the only one with this gift. I asked him how did he discover this gift. He said that as a young child he was often told that he would be ‘special’ as he was a breech delivery, but he never knew or was told exactly what this special attribute was. He discovered this ability when he was thirteen, a neighbouring boy of the same age had swallowed a fishbone and he became very ill, neck swollen, infected, unable to eat, after two weeks his condition was getting very serious and another neighbour brought Rogerilio to the boy and asked him to heal him. Rogerilio did not know what to do, so he just gently massaged the boy’s neck, when suddenly his fingers moved inside the boy’s throat and in shock he withdrew them and found that he was holding the fishbone in his hand. He was so shocked and frightened, he thought he had killed the boy so he run away and hid in the forest for three weeks.
A friend later found him and told him that the boy was well and had recovered from the illness. Rogerilio on returning to his village found that circumstances had become difficult as he was expelled from school for his absence and that many people had turned away from him including and very sadly his parents, so he had to leave home and travel for he had ‘become touched by the devil”, It was a lonely and difficult period in his life as he found himself denounced when people found out who he was so he had to move on. Rogerilio then lifted his shirt and showed me the whip scars on his back. He was hounded out and whipped with vines which had thorns attached. He indicated a vase in his room in which he still kept the very same vines as a reminder of these times.
He survived as young boy, grafting, selling cigarettes, cleaning shoes, and sleeping rough, living as an outcast. He earned enough money to go to High school, and started to work as a healer helping people in an ad-hoc manner in the community. He slowly and surely built up a reputation, and he was given an award by the Junior Chamber of Commerce as a ‘Model of Compassion’ working as a healer without asking for money.
Determined to understand the human body and what he was doing, he qualified for medical training and after 6 years of internship qualified as a medical analyst. This work meant studying tissue samples, assisting in surgical operations and so on. After 5 years of practice he left the profession greatly unhappy with what he witnessed in many of the surgical operational procedures. He focussed on his healing work developing an international reputation until the major 1990 earthquake in Baguio that devastated the city and where he lost everything. He moved to Manila and found work there and started to rebuild his life. About five years ago he returned to Baguio and resumed his healing practice in the local community.
To see a person’s body opening is one thing, but I felt enormous anxiety when Rogerilio instructed me to place my hand in the person’s body. As I placed my fingers inside a man’s groin, Rogerilio asked me if I could feel this lumpy tissue, I said yes, then “pull it out”, I withdrew my hand and was looking at a piece of dead nervous tissue which had come from his patient’s prostrate gland. The man lying down had felt no pain or discomfort, and the opening in the groin had sealed and there was no markings or scar to indicate that a few moments previously it was open.
Rogerilio said that the Spirit would protect both the patient and myself from any infection. He then demonstrated how it worked; grasping my hand he brought his hand above mine with his fingers extended above mine by a few inches. “See it is if my hand is the Spirit hand, the Spirit hand moves first making the opening, and my hand follows, the Spirit hand takes the diseased tissue and places it in my hand, and as I withdraw my hand the Spirit hand also withdraws and as this happens, the opening in the body closes”. “You see I told you that I am just the instrument and it is the Spirit which does all of the healing”.
During my visits to Rogerilio I have witnessed (photographed and videoed) the following;
• During trip in January 2001, Rogerilio cleared "growths" from around my prostate. He then left a Kleenex tissue inside my body overnight to prevent the seeping of blood back in the testicles (I could feel the tissue myself by pressing on the point where it was inserted).
• He removed a 12” long tumour (as thick as a sausage!) from a friend’s intestine. What was also extraordinary that half an hour later he was eating a normal meal. Under conventional surgical procedures he would have been on something akin to a ‘baby food’ diet for many months following the surgery.
• He removed cataracts from both eyes of another person
• He removed growths attached to the spine of one woman. This lady had had problems moving her head fully and suffered from chronic pains in her shoulders for many years. The instant improvement to the head was obvious and her shoulder pains have now completely disappeared. Months of physical therapy had previously had very little impact.
• He cleared the sinuses of 2 people
• He unblocked the descending colon of another person.
• Cleared a "goitre" from a man's throat. This was full of thick yellow pus and clotted blood formed from many years of smoking.
One of the most difficult things I encountered (apart from the bashing of my safe and comfortable Newtonian reality) was his dealing with the victims of sorcery and black magic. What was clearly impressed on me was that whilst I had thought that Westerners had the advantage of not getting ‘caught’ up in sorcery being outside that culture they were less likely to be affected, however this assumption was certainly challenged by what I witnessed. Middle-aged Swiss German came to see Rogerilio. I was sitting with Rogerilio outside his café drinking water when Johan joined us and said that his whole left side of his body was becoming paralysed. He couldn’t move his left hand, his arm was weak and hanging loosely by his side, his left eye was closed, the mouth on the left hand side was also drooping looking similar to the after effects of a dentist’s numbing injection. He also said that his tongue again on the left hand side felt frozen, and he had difficulty in breathing and lacked any energy, was unable to concentrate or even carry out what were relatively simple tasks such as buttoning his trousers up. As I studied him, it truly appeared that the left hand side of his body was shrivelled, and the fingers of his left hand were visibly smaller than those on his right hand.
Rogerilio looked at him, and then started to tell him about an island in the Philippines archipelago called Sekihor (this island has a fearsome reputation amongst ordinary Filipinos as this was the place where the practitioners of sorcery and black magic lived). Rogerilio explained that these sorcerers were paid by people who had grudges and animosities against others. As he was saying this I was thinking what is going on here? Why is he talking about this? What is going on! Very soon it became clear as he started to describe the circumstances surrounding Johan and the nature of this problem and it’s cause. Rogerilio than told Johan that a woman who held a deep grudge against him and wanted to ‘destroy’ him had paid a sorcerer to place a curse on him which was the cause of his difficult circumstances.
We went to the treatment room at the back of the shop, and for the next four days Rogerilio started to operate on him. He removed obnoxious lumps of tissue that resembled a squashed octopus from various places on the left hand side of the body.
After the first day Rogerilio told us that it was important to identify the perpetrator so the dark force could be sent back to it’s source. He described the ritual and said that we would do this in five days time. In the interim Johan had to make a list of all the women he had met in the past 12 months. Rogerilio showed and explained to us the herbs and outlined the procedure that we would use. Rogerilio asked me to look after Johan, which was a pleasant task as he was a friendly and affable individual.
By Friday Johan had prepared the list of names 65 in total, and we went in the taxi to Rogerilio’s place. When we arrived Rogerilio asked Johan to buy an egg, which he did for 3 pesos from a local store and returned to the café. We entered Rogerilio’s treatment room, where a large metal tray had been set up on his healing altar. On the tray was an empty bottle, candle, plugs of tobacco and locally growing herbs. Rogerilio asked Johan to tear the list into individual strips, fold them and place them in the bottle. I helped Johan do this; Rogerilio was by the way standing at the other end of the room and could not see any of the written names. When this was completed Rogerilio came over to the altar and made his prayers and blessings, he then asked Johan to take the egg that he had just bought and hold it over the open necked bottle. Rogerilio than poured a bottle of gin (that was the only bottle of spirits that he had). Johan was then told to break open the egg in a bowl and look for the name. Johan did this and gently poked in the bowl and there inside the yolk was a small folded piece of paper!
Johan carefully teased the yolky piece of paper open, and there was a name in his own handwriting. Johan was really taken aback “so it’s her!” He then told us that he had genuinely written all the woman he had met in the past 12 months on the list, including those that loved him, and good friends. The person on the paper was the only one who had caused him worry. He had a brief relationship with her, but she had become unbalanced and very possessive during this period. He was frightened by her behaviour and when Johan said that he was ending it, she became very cold and told him “that if she couldn’t have him, no one would!” Johan was very angry, and sad that another person could do an act like this. For myself it certainly knocked out some of my naivety about this. This ritual caused the sorcery to be sent back to the instigator thereby releasing Johan from its effects. It gave me cause for reflection on instant karma, and Shakespeare’s verse, the one about ‘the evil that men do!” I also shivered with the thought that this would have been the perfect murder and speculated of how many other people became ill and died of ‘mysterious’ and unexplainable circumstances. The main thing that after this Johan was a new man, and his body had vastly improved since the beginning of the week thanks to Rogerilio (and the holy spirit’s) work.
Some of the conclusions I have drawn from observation and participation in Rogerilio’s work have had a profound effect on my worldview, the first is that many of the debilitating diseases and decline in physical health that we associate with old age are not inevitable. They are the cumulative effects of decades of eating the wrong food, typically too much animal fat, red meat, and lack of fibre in the food.
Another conclusion is that tumours have a consciousness of some description. It is if they possess some form of survival’ instinct. They grow in places that are the most difficult to detect and only when developed do they emerge and become detectable. This ‘survival’ intelligence is also aware if it is disturbed and may respond to this by accelerating their growth and expansion in the body.
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). Visit Howard's website for more information on our Spiritual and Healing Tours: Healers of the Philippines
Thursday, July 26, 2007
Ayahuasca & Visionary Plants - Companions to the Soul
The visionary plants and ancient traditions of the plant shamans reveal a hidden universe, in which the separation between the physical and the unseen universe is an illusion caused by our limited sensory perception. The body and soul permeates and infuses each other. The plant teachers show us a path to an expanded consciousness and communion with our sacred source, our soul companion.
Writing from my own personal perspective from my years of work and research in the Amazon Rainforest with the shamans and curanderos who drink the visionary plant brew called Ayahuasca. I use the term ‘shaman’ as a convenience as this title has only been ‘imported’ from the West into the Amazon quite recently in the past thirty years or so. A more appropriate general term could be ‘vegatilista’ or a seer and healer who work with plants from not only the physical or medicinal aspect but who are also in communion with the soul of the plant. in addition there are many ‘sub’ specialities, so a shaman who primarily works with chonta (a hard palm wood) is known as a chontero , a shaman who works with the aromas and scents of the plants is called a perfumero, and a shaman who works with ayahuasca is known as an ayahuasqero.
Ayahuasca is a combination of two plants (although other plants are added to elicit certain visionary experiences or healing purposes). This mixture of two plants the Ayahuasca vine and the Chacruna leaf, operate in a specific manner with our neuro-chemistry. The leaf contains the neuro transmitters of the tryptamine family (identical to those present in our brain) and the vine itself acts as an inhibitor to prevent our body’s enzymes from breaking the tryptamines down thereby making it inert. Science defines this as the MAOI effect (Monoamine Anti Oxide Inhibitor) and forms the basis for many of the widespread anti-depressant pharmaceutical medication such as Prozac and Seroxat. This MAOI principal was only discovered by Western Science in the 1950’s, yet interestingly this very principle has been known by the plant shamans for thousands of years, and when you ask the shamans how they knew this, the response is invariably “the plants told us”.
Ayahuasca has revealed to me more of the great dream of the Earth, and how disconnected we have become from our relationship with the living planet. I experienced the evolutionary process of DNA. Shown that many of the problems that we experience as a species is because we are primates, and even though humankind has done everything possible to dissociate ourselves from our animal origins, we remain driven by our animal glands and hormonal systems. Yet at the same time, we are in harmony with our higher state of consciousness that approaches that of dolphins, who are aware and in conscious communion as part of a soul mind.
This great question, the mystery of the communion of mind, soul, and body is a search that we humans have been on since we first raised our eyes to the night sky in wonder. Some of the ancient myths of the jungle from the Ashuar people of the Upper Amazon tell us of this separation, the myth of the ‘Moon Man’ as collected by Alonso Del Rio from Peru is such a one;
‘In the time of the ancestors there was a ladder, like a rope which connected the world of the Ashuar with the upper world. Here lived other beings just like the Ashuar but they were spirits. These beings were very powerful and could transform themselves into anything they wanted. One day Moon-man cut this ladder so that the people could no longer communicate with their spirits above, and thus they lost their power. ‘
In the Ashuar tradition the Moon Man is associated with the analytical mind and it is “rational thinking” therefore which has severed our sacred connection to the cosmic mind. This legend therefore speaks of humanity’s need to reunite with the consciousness of the universe, using the rope (ayahuasca) to climb our way back to the oneness we once knew. Only then can we re-enchant the world through imagination and inspiration. If we look deeply into our hearts can we say that we are any different from the indigenous peoples of the rainforest? The reflections of Carl Jung in his book, Modern Man in Search of a Soul point to the very same dilemma as the peoples of the Amazon;
"If we are still caught by the old idea of an antithesis between mind and matter, the present state of affairs means an unbearable contradiction; it may even divide us against ourselves. But if we can reconcile ourselves with the mysterious truth that spirit is the living body seen from within, and the body the outer manifestation of the living spirit - the two really being one -- then we can understand why it is that the attempt to transcend the present level of consciousness must give its due to the body. We shall also see that belief in the body cannot tolerate an outlook that denies the body in the name of the spirit."
The visionary plants and ancient traditions of the plant shamans reveal a hidden universe, in which the separation between the physical and the unseen universe is an illusion caused by our limited sensory perception. The body and soul permeates and infuses each other. The plant teachers show us a path to an expanded consciousness and communion with our sacred source, our soul companion.
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). His website: www.shamanism.co.uk
Writing from my own personal perspective from my years of work and research in the Amazon Rainforest with the shamans and curanderos who drink the visionary plant brew called Ayahuasca. I use the term ‘shaman’ as a convenience as this title has only been ‘imported’ from the West into the Amazon quite recently in the past thirty years or so. A more appropriate general term could be ‘vegatilista’ or a seer and healer who work with plants from not only the physical or medicinal aspect but who are also in communion with the soul of the plant. in addition there are many ‘sub’ specialities, so a shaman who primarily works with chonta (a hard palm wood) is known as a chontero , a shaman who works with the aromas and scents of the plants is called a perfumero, and a shaman who works with ayahuasca is known as an ayahuasqero.
Ayahuasca is a combination of two plants (although other plants are added to elicit certain visionary experiences or healing purposes). This mixture of two plants the Ayahuasca vine and the Chacruna leaf, operate in a specific manner with our neuro-chemistry. The leaf contains the neuro transmitters of the tryptamine family (identical to those present in our brain) and the vine itself acts as an inhibitor to prevent our body’s enzymes from breaking the tryptamines down thereby making it inert. Science defines this as the MAOI effect (Monoamine Anti Oxide Inhibitor) and forms the basis for many of the widespread anti-depressant pharmaceutical medication such as Prozac and Seroxat. This MAOI principal was only discovered by Western Science in the 1950’s, yet interestingly this very principle has been known by the plant shamans for thousands of years, and when you ask the shamans how they knew this, the response is invariably “the plants told us”.
Ayahuasca has revealed to me more of the great dream of the Earth, and how disconnected we have become from our relationship with the living planet. I experienced the evolutionary process of DNA. Shown that many of the problems that we experience as a species is because we are primates, and even though humankind has done everything possible to dissociate ourselves from our animal origins, we remain driven by our animal glands and hormonal systems. Yet at the same time, we are in harmony with our higher state of consciousness that approaches that of dolphins, who are aware and in conscious communion as part of a soul mind.
This great question, the mystery of the communion of mind, soul, and body is a search that we humans have been on since we first raised our eyes to the night sky in wonder. Some of the ancient myths of the jungle from the Ashuar people of the Upper Amazon tell us of this separation, the myth of the ‘Moon Man’ as collected by Alonso Del Rio from Peru is such a one;
‘In the time of the ancestors there was a ladder, like a rope which connected the world of the Ashuar with the upper world. Here lived other beings just like the Ashuar but they were spirits. These beings were very powerful and could transform themselves into anything they wanted. One day Moon-man cut this ladder so that the people could no longer communicate with their spirits above, and thus they lost their power. ‘
In the Ashuar tradition the Moon Man is associated with the analytical mind and it is “rational thinking” therefore which has severed our sacred connection to the cosmic mind. This legend therefore speaks of humanity’s need to reunite with the consciousness of the universe, using the rope (ayahuasca) to climb our way back to the oneness we once knew. Only then can we re-enchant the world through imagination and inspiration. If we look deeply into our hearts can we say that we are any different from the indigenous peoples of the rainforest? The reflections of Carl Jung in his book, Modern Man in Search of a Soul point to the very same dilemma as the peoples of the Amazon;
"If we are still caught by the old idea of an antithesis between mind and matter, the present state of affairs means an unbearable contradiction; it may even divide us against ourselves. But if we can reconcile ourselves with the mysterious truth that spirit is the living body seen from within, and the body the outer manifestation of the living spirit - the two really being one -- then we can understand why it is that the attempt to transcend the present level of consciousness must give its due to the body. We shall also see that belief in the body cannot tolerate an outlook that denies the body in the name of the spirit."
The visionary plants and ancient traditions of the plant shamans reveal a hidden universe, in which the separation between the physical and the unseen universe is an illusion caused by our limited sensory perception. The body and soul permeates and infuses each other. The plant teachers show us a path to an expanded consciousness and communion with our sacred source, our soul companion.
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). His website: www.shamanism.co.uk
Shamanism and Drumming for the Shamanic Journey
The Shamanic Journey is a technique which facilitates a visionary experience into expanded awareness. This activates our imagination and creativity, and allows us to bypass linear, familar and rational thinking. In this state of expanded awareness we can find new insights, perspectives, and ways to resolve problems.
Drumming for the Shamanic Journey, with Leo Rutherford & Howard G. Charing
It is a CD specifically made for this. It comprises; two 20 min solo and 40 min double drumming.
What is Shamanism?
Shamanism is the oldest way in which humanity has sought connection with Creation. The origins of shamanism go back at least 40,000 - 50,000 years to Stone age times. All of us have evolved from shamanic cultures, it is our roots wherever we live.
A shaman knows that all things are alive and ‘walks with one foot in the everyday world and one foot in the spirit world’. Contemporary shamanism is the application of these ancient timeless ways to life here and now.
Shamanism is not a belief system. It is a path to knowledge which is gained through experience of life, through rituals, ceremonies, prayers and meditation, trials and tests. Knowledge is something that works, that stands up to the test of time, that is known from the inside.
Cosmology of the shaman
Shamans divide non-ordinary reality into three other regions, the upper, lower and the middle worlds. Each has its own characteristics and whilst each individual traveller experiences initially their own version, once one becomes a proficient journeyer, it is amazing just how connected we all are at these levels.
The Lower world is the place of instinctual knowing where our animal-like powers reside and where we can find practical earthly help and guidance.
The Upper world is the word of spirit teachers, cosmic beings, great wise elders, ancestors who appear usually in human form. Their help and guidance is often perceived to be more general and philosophical.
The Middle world is both the everyday physical world that we live in, the world of ordinary reality, the tonal, and also a parallel non-ordinary version of our world.
It is a CD specifically made for shamanic journeying, and to do this, the drums have to be as monotonous as possible and maintain a consistent beat between 205 to 210 beats per minute. At this specific beat, the brain is stimulated to synthesise natural beta-endorphins which facilitate a person to move into what is known as the ‘second attention’, an altered state of awareness, or shamanic state of consciousness. This state of awareness facilitates the shamanic journey.
A Shamanic Journey to the Lower world.
To begin, find a place that you feel comfortable and will not be disturbed for about 30 minutes. When you are ready, lie down comfortably, and darken the room, or at least cover your eyes. It is easier to journey in non-ordinary reality in the dark. Remove tight clothing, take off your shoes and allow your breathing to move to a gentle rhythm. Relax for a few minutes, focusing on being centred, and grounded.
When you are ready visualise or imagine, a place which reminds you of the Earth, a place which you know of. This place should be a real place, perhaps somewhere you have visited, or seen in a film or photograph, and it can be anywhere, a hill, mountain, grasslands, forest, by the ocean. At this place allow yourself to perceive an entrance or opening into the Lower world. This entrance can be a hollow tree, an animal burrow, a cave entrance, a man-made opening e.g.; a trapdoor, it can any entrance into the ground or water. You will find that the right entrance will feel comfortable to you, take a minute or so to study it in detail.
Now when you are ready, enter into the opening. The beginning of the tunnel may appear dark, it may angle down in a slight incline, or it may incline steeply. The tunnel may appear to be ribbed, and often it bends, sometimes it may become spiral-like, but it will always lead downwards.
Continue down the tunnel until you come out of doors into a landscape. If you come into a cavern, you will need to move outside and into the landscape, there will be an exit for example a door or an opening which will enable you to do this, it should be easy to get sight of it.
Now in the landscape, just look around. It may be daytime, night-time, forest, woodland, or near water. Extend your senses, listen, can you hear anything, the sound of birdsong, the sound that the wind makes as it blows through the tree tops, perhaps the sound of running , flowing water. Feel the ground underneath your feet, feel the ground pushing up against the soles of your feet. Sense the wind, the breeze, sense the movement of air around you. What does it feel like? Have an awareness of being there.
If you want to explore the landscape, remember where the entrance is, keep track of where you go. Just as in any ordinary-reality journey, it helps if you keep a note of landmarks so you can retrace your steps to return.
• Track 1. Solo Drumming (with call back) 20 minutes with Leo
• Track 2. Solo Drumming (with call back) 20 minutes with Howard
• Track 3. Double Drumming 9with Call back) 40 minutes with Leo & Howard
Cover notes
The CD comes with detailed notes describing the cosmology of the shaman, and instructions for a journey.
Technical information
The drumming was recorded live directly onto digital tape at Sync City recording studio in London. The drumming was played in the 'live-sound' studio and no sound modification process was used.
Both drums were single headed frame drums. For the double drumming track, both drums were held facing each other in a position to optimise the natural reverberation.
The recording engineer was Wan Hewitt, himself a professional drummer. He has been dubbed the 'drummers darling' due to the great live sound he gets.
Howard G. Charing and Leo Rutherford are accomplished international workshop leader on shamanism. They have worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. They have authored a number of books on Shamanism. The Drumming for the Shamanic Journey CD is available from Eagle's Wing. For ordering information Visit their website www.shamanism.co.uk
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Coca and the Sacred Plants of the Incas - The Timeless World of the Andes
The Incas regarded coca as ‘the divine plant’ mainly because of its property of imparting endurance, nevertheless its use was entwined with every aspect of life; the art, mythology, culture and economy of the Inca Empire.
Millions of Indians have chewed coca on a daily basis for many hundreds of years, yet never has a plant been so misrepresented and its use so controlled by prejudice and ignorance, including up to the present day. The Conquistadors considered it an idle and offensive habit to be prohibited, but it was soon seen that the Indians could not work without coca even when forced to do so.
The coca leaf has been sacred to Andean people since the dawn of pre-Colombian civilization. Doris Rivera Lenz, a renowned Andean Ceremonialist, healer, and Coca leaf Diviner, when asked about the source of the information she divines from them, she says:
"They give me such a powerful awareness it is as though an energy comes into me from just touching them. I invoke Mother Nature and the spirit of the coca, and with just seven leaves, the answer comes, as though through an open doorway."
Healing
An ancient method of diagnosing illness, still common in Peru, is to rub an egg over the body of the patient. Doris is gifted in this tradition and prescribes remedies which include medicinal herbs.
Much Andean wisdom is based on observation of nature, noting for example, that if the ducks go round in circles, there will be long rains, etc... Involvement with nature prevents the mind from becoming mechanical, can see that it is constantly nurturing us and helping us to grow.
The ofrenda
An 'ofrenda' is the most important ceremony used by Andean Indians to relate with Mother Earth. The ofrenda is a symbol of reciprocity with nature and its purpose is to teach us to reproduce this attitude. Through it we speak back to nature saying we understand the message and concord.
The ofrenda which is also known in Spanish as a 'pago', is not
a 'payment' to nature as the Conquistadores saw it, implying a sinister pact with nature spirits. Additionally, they accused the Indians of being miserly because they preferred to pay symbolically rather than with real money!
An ofrenda is an expression of gratitude, not of debt or obligation.
Neither is it selfish to want things for ourselves as some people see it even today. It is true that urban people in Peru have started to make ofrendas for reasons such as wanting their businesses to flourish, but good business can equally imply good health, and harmony to the community and for the natural world.
In an Andean community realities are closer to earth than they are in the city, it is more important that the cattle do not die than to have more private possessions. Hence in the country there is a better understanding of the shamanic meaning of the ceremony, the re-establishing of relationship to nature. This is why we need a little preparation so that an ofrenda can work for us too.
Pachacuti
We live in a time of the fulfilment of an ancient Inca prophecy. This is the time of the new Pachacuti, a great change bringing with it a new relating to the Earth (Pachamama). Each Pachacuti is a era of time about 500 years. The last Pachacuti occurred with the Conquest in the early 16th century, and the Q’ero (Inca) priests have been waiting ever since for the next era, when order would start to emerge from chaos. The current Pachacuti refers to the end of time as we understand it, the end or death of a way of thinking and a way of being. A new relationship with the living Earth, and an emergence into a golden age of peace. There are many indications that changes in human consciousness are taking place, yet there is still a long way to go. It is part of Doris’s vision to show us traditional ways that we can re-engage with the sacredness of life and the Earth so we too can more fully participate in the new Pachacuti.
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA), and has published numerous articles about plant medicines. Website www.shamanism.co.uk
The Ayahuasca Visions of Pablo Amaringo - An Interview with the Great Visionary Artist
Pablo Amaringo is one of the world’s greatest visionary artists, and is renowned for his highly complex, colourful and intricate paintings of his visions from drinking the Ayahuasca brew. Pablo is interviewed at his gallery in Pucallpa, Peru, by Howard G Charing and Peter Cloudsley.
Pablo Amaringo trained as a curandero in the Amazon, healing himself and others from the age of ten, but gave this up in 1977 to become a full-time painter and art teacher at his Usko-Ayar school. His book, Ayahuasca Visions: The Religious Iconography of a Peruvian Shaman, co-authored with Luis Eduardo Luna, brought his work and the rich mythology of the Amazon to a wide audience in the West.
Pablo Amaringo was born Puerto Libertad, in the Peruvian Amazon. He was ten years old when he first took Ayahuasca—a visionary brew used in shamanism, to help him overcome a severe heart disease. The magical cure of this ailment via the healing plants led Pablo toward the life of a vegetalismo in which he worked for many years.
Howard and Peter met with Pablo at the school which he founded (Usko-Ayar school of painting) in Pucullpa where he lives and paints, and interviewed Pablo about his life as a shaman and artist.
What drew you to being a shaman?
It was a spiritual matter for me. I had thought that shamans deceived and lied to people, so I didn’t believe in them. I thought that Ayahuasca healed people because it was medicine, I didn’t believe in magic and spirits. No! Then in 1967 I saw a curandera miraculously heal my sister who had been in mortal agony with hepatitis, and could not either eat or speak, but with this single healing from the plants, she was cured in just two hours. That motivated me to start learning the science of vegetalismo
She was given Ayahuasca?
No, the Senora used the knowledge of Ayahuasca and chanted. That was during the day. That same night I drank and received the powers, but I didn’t know what I was being given. I saw many things. I sat like a king and watched! After that I dieted for five days, staying at home, without seeing many people.
After one month I began to feel what everybody else was feeling, it was a very strange thing! And I discovered I could sing the chants without even learning them. They came out beautifully and I wondered how it was possible that I knew them. I realised I had powers in me and I began to be a curandero when I cured a young man with a terrible headache, firstly I felt it and then he was better.
Is it an important part of the cure, to feel what the patient feels?
That was how the powers were given to me, but others say that when they take the Ayahuasca, they can see what the problem is with their patient. I didn’t even have to drink, I felt exactly where their pains were, and their emotions, everything.
What plant did you take on your diet?
Just Ayahuasca, but afterwards I took other plants at the same time as Ayahuasca, to learn more things.
Then you practiced as a curandero in Pucullpa?
Yes, and for many years I travelled to Madre de Dios, Cusco, Lima, Huanuco, Tingo Maria and Alto Ucayali. Wherever I went I cured people.
At that time Pucullpa was much smaller.
Yes, the houses were mostly wooden, with cultivation behind them, there were no high buildings. None of the streets had tarmac, they were of red mud, except for the one central Plaza. The road to Lima was terrible and it took a month or more to get there.
How do you communicate with plant spirits after you take them into you?
When you take any plant other than Ayahuasca, you connect through your dreams. Ajo sacha, Chric Sanango, Bobinsana etc. you learn while you are asleep. But with Ayahuasca no, you are conscious and awake. That is why it is the planta maestra - the eye through which you see the world, the universe. It is miraculous and sacred and you can learn from your studies far more with Ayahuasca than with other plants, but you must obey the ‘statutes’ of this plant, i.e. the rules. If you obey, no knowledge will be withheld from you.
My visions helped me understand the value of human beings, animals, the plants themselves, and many other things. The plants taught me the function they play in life, and the holistic meaning of all life. We all should give special attention and deference to Mother Nature. She deserves our love. And we should also show a healthy respect for her power!
How did you discover your gift of painting?
I used to make portraits and landscapes when I was 20 years old, but mostly using charcoal. But this didn’t earn me any money so I dedicated myself to other things, agriculture, raising animals and hairdressing, all kinds of things. I was working as secretary to the chief of customs here in the port of Pucullpa. One day my boss told me to paint two armchairs, and as I had never painted, I just slapped on the paint any old how, and it looked awful with lumps everywhere. But the boss didn’t reprimand me; he said how come you are good at everything except painting? I was a little hurt because he was always so impressed by everything I did. This made me think that if I was going to learn to paint, I would learn to do it well.
After three years working there I had a heart problem and returned to doing portraits in pencil beginning with my own portrait.
How did you begin painting visions?
Years passed and I used to say to my mother, when I am older I will paint several pictures of myself so that after I am dead people will know there has been a painter in the family! One day I was asked to accompany a foreign gentleman because I spoke a little English but I did not know that he was the biologist Denis McKenna. After some years he recommended me for a job in Sepagua but I was not able to take it up because my mother fell ill. So when he came back in 1985 I asked him if he would show my pictures in an exhibition he was organizing in Switzerland. They were small pictures, but later he returned with Luis Eduardo Luna who said how beautifully you paint Pablo. I can promote your work; do you want to be a world class painter?
I said no, I don’t want any of those things. I don’t know what a ‘world class’ painter is. I just want you to help me sell my pictures to make a little money. I was portraying the daily realities of people in the Amazon, how they sow and harvest, how they fish and celebrate their fiestas and so on. Luna said how is it I haven’t met you before now? Every year I have been coming for the last eight years, travelling up the Amazon through Brazil and Peru to Panama!
I asked him why he came. What was he looking for? We are interested in the magical plants of Peru from the coast, Sierra and Selva . I know what you are after, I said. I used to be a shaman ten years ago, what a shame you didn’t know me before, but now I have put all that behind me. I could have told you so much about what I had seen, I said. Then I started to think that I could paint for him all the things I had seen in my visions and all the things that were explained to me. But I had to do it in secret because even when people saw photos of what I painted, they said I had gone mad, that I was bedevilled and painting things of the demon!
They worried me with these remarks. I could never have had an exhibition here in Pucullpa. So Luna said paint for me then! And I made two pictures of visions for his next visit, and when he saw those pictures – one of which is in the Museum of Washington DC and the other in the University of Stockholm – they took hundreds of pictures of them. But I said he could take them away. And that’s what they did, wrapped up in a huge box. They sold them and sent me the money. After that they said we don’t want any more landscapes, only visions!
They studied them and said they found language and biology in the pictures so later I began to make explanations of them. But I could never show them to people here. That’s how it all started.
Are people still prejudiced here?
Yes, many are still. Once some religious people came and said that if the name of Jesus was spoken the paintings would explode. And they asked me to say Jesus. I said I can’t say that word, what for? They said to each other, he has got the devil in him, if he says Jesus, he will explode!
You have many amazing paintings here in your studio; can you tell us something about them?
The pictures are a means by which people can cross spiritual boundaries. Some people say they can only believe what they see, but there are thing which exist which cannot be seen. The pictures are for reminding people what we are and where we come from and where we are going. They are for people of any culture in the world although there is much that is taken from indigenous Amazonian culture.
Would you like to add anything more about the importance of plants?
For me personally, though, they mean even more than this. Plants—in the great living book of nature—have shown me how to study life as an artist and shaman. They can help all of us to know the art of healing and to discover our own creativity, because the beauty of nature moves people to show reverence, fascination, and respect for the extent to which the forests give shelter to our souls.
The consciousness of plants is a constant source of information for medicine, alimentation, and art, and an example of the intelligence and creative imagination of nature. Much of my education I owe to the intelligence of these great teachers. Thus I consider myself to be the “representative” of plants, and for this reason I assert that if they cut down the trees and burn what’s left of the rainforests, it is the same as burning a whole library of books without ever having read them.
People who are not so dedicated to the study and experience of plants may not think this knowledge is so important to their lives—but even they should be conscious of the nutritional, medicinal, and scientific value of the plants they rely on for life.
My most sublime desire, though, is that every human being should begin to put as much attention as he or she can into the knowledge of plants, because they are the greatest healers of all. And all human beings should also put effort into the preservation and conservation of the rainforest, and care for it and the ecosystem, because damage to these not only prejudices the flora and fauna but humanity itself.
Even in the Amazon these days, many see plants as only a resource for building houses and to finance large families. People who have farms and raise animals also clear the forest to produce foodstuffs. Mestizos and native Indians log the largest trees to sell to industrial sawmills for subsistence. They have never heard of the word ecology!
For the original interview (including photos of his paintings) first published in Sacred Hoop Magazine, visit Howard's website, Interview with Pablo Amaringo
Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA), and has published numerous articles about plant medicines. Website www.shamanism.co.uk
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