Showing posts with label sacred music. Show all posts
Showing posts with label sacred music. Show all posts

Friday, May 29, 2009

Saturday, February 16, 2008

Ayahuasca Retreat - February 2003, Amazon Rainforest Peru


Video Images from Eagle's Wing Ayahuasca Retreat February 2003.

On the soundtrack are maestros Artidoro and Shipibo Guillermo Arevalo chanting Icaros.


Both Artidoro and Guillermo were at the Retreat.


Visit our website for details on our Andean and Amazon Ayahuasca Yoga Retreats









Saturday, December 29, 2007

The Art of the Shipibo people of the Upper Amazon in Peru

A Gallery of the extraordinary art of the Shipibo people.







Howard G. Charing, is an international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest. He is the author of the best selling book, Plant Spirit Shamanism.




Visit the website for info about our Andean and Amazon Ayahuasca Retreats and work with Shipibo shamans and craft workers

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A gallery of my shamanic art


I've posted a gallery of my artwork based on shamanism. Click 'view all images' below.



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Tuesday, October 16, 2007

Yoga and Shamanism - Ecstatic Trance Postures


Both Yoga and Shamanism offer a ways for people to become aware of their potential, and begin to explore their spiritual relationship to the universe, to other forms of life, and to each other. The experiences which come from these practices help a person to evolve a deeper bond and respect for all of creation, and from this perspective you are likely to lead a life which is vibrant and full in harmony and balance, and which encourages understanding and optimism.

The Shamanic path is a way to experience this expanded view of universe.
One of the central practices of shamanism has been defined as the Spirit or Trance journey. One of the ways to embark on this experience of expanded consciousness is what is called ‘the shamanic journey’. In this Journey the shaman journeys to the Spirit world, (commonly referred to as Upper & Lower Worlds), to directly commune with the spirits who reside in the other realities. This is done for many reasons, for example to receive guidance for healing, maintaining both our own and by extension our communities spiritual wholeness.


There are a number of ways to embark on a Spirit journey; these can be through dance, dream, using teacher plants, and by assuming certain specific physical postures. The latter is known as Shamanic Trance Postures, and are a method for achieving ecstatic trance and entering that place of both personal and collective vision.
The word ecstasy and ecstatic is used in its original meaning, which is based on the Greek ex-stasis, meaning 'outside of yourself', outside of the everyday world. The ecstatic trance brings with it a shift in our perception, a way of becoming aware of a reality outside of the world of the ordinary, and the mundane. The trance makes us able to perceive the continuum of life, from what has been called non-ordinary reality, a reality which has been known to co-exist with our physical reality throughout time.

Black Elk, the Lakota medicine man and great visionary whose life was recorded by John Neihardt in the 1930's, tells of "the world where there is nothing but the spirits of all things. This is the real world that is behind this one, and everything we see here is something like a shadow from that world".


There are certain works of ancient art, glyphs, carvings, rock paintings which are more than creative expressions of their culture. They are visual teachings for a specific ritual. These paintings and statues from the ancients depict people adopting distinct bodily postures. Many of these bodily postures are ways to an altered state of consciousness, visionary experiences, and a way to embark on a spirit journey. There is an extensive geographic distribution of the Trance Postures, and indications are that they belong to all cultures and traditions. These postures have been rediscovered by Dr Felicitas Goodman after years of extensive research, and a full account has been documented in her truly outstanding and remarkable book 'Where the Spirits Ride the Wind'.


When a person adopts a specific posture as shown in one of the ancient artefacts, with an accompanying rhythmic sound e.g. Rattle or drum, the person may experience a vision which although is personal , is also specific to the posture. It is as if, however personal the vision, it will conform within a consistent framework.
Ritual has great power in this reality; it is a way of combining, the heart, mind, spirit, and body in a single physical action and intention. Religions from all over the world have long recognised the importance of ritual. Ritual is a means of communication between the Spirits and ourselves, it is a way that the Spirits can cross over from their world into ours. In Western society we have forgotten that the ordinary and other reality belong together, they are two halves of one whole. Ritual is a way to empower and enhance the trance state, and is a gateway to contain, translate, and safely guide an altered state of consciousness into a spiritual experience. Another way of saying this would be that a ritual carries an innate intention, a purpose.

Each of the Shamanic Trance Postures is in itself a ritual, and it is a ritual with such intrinsic qualities of exactness and power, that its objective is achieved outside the original cultural setting. This means that we in contemporary Western society can also successfully participate in the Shamanic Trance Postures. To understand the Shamanic Trance Postures they should be directly experienced, no amount of words can compensate for this. The best place to experience the ecstatic trance states is in a workshop environment. This brings with it the guidance and support of the workshop facilitator, and the collective energies of the group. The power of the group is important in that it helps in terms of the focus of the ritual, and provides indirect and direct feedback. Feedback is the way to obtain the ineffable quality of trust. Trust is one of the pillars of this work, and the group provides validation of your own experience. Another important factor is that the power of the trance postures is magnified, as each person supports and is a part of the collective visionary experience.

An Exercise – The Grandfather Bear Trance Posture.
A powerful Healing posture. You may experience, great energy, certain colours, a feeling of being supported and contained in a loving and gentle way. Stand with your feet parallel , about six inches apart, and your toes aimed straight ahead. Your knees should be slightly bent, removing any strain on your lower back that would occur if your knees were locked. This stance is consistent for most of the standing postures. Gently roll both your hands , as though you are holding a small egg in the palm of each hand. Position your hands so that your folded fingers form a tall triangle over your navel. The first joint of the index finger of each hand should touch to form the apex of the triangle, with your thumbs resting one in front of the other, not one on top of the other. Your upper arms can rest easily at both sides of your body, so that your elbows are not sticking out. With your eyes closed, lean your head back as though you are looking at a point just above the line where the wall meets the ceiling. There may be a strained feeling in the muscles at the back of your neck.

Comments from people who have experienced the healing Trance Posture known as 'Grandfather Bear 'on workshops.
"I have been having a sore and painful throat for some time. As I started the posture, I very quickly felt that I was being cradled from behind by a warm energy, which I saw in my mind as a large bear. I felt the bear rip open my throat with its claws, and pull out heavy, thick mucus like material. This went on for a few minutes, and then the bear blew warmth into my throat, and I began to see flashes of violet-blue colours around me.

When the trance posture ended, my throat felt clear, and my body felt as if it was glowing."
"My back felt as if it was being opened, and metal plates which covered my spine being levered open and dragged out of my back. When we finished, my back felt so much more flexible, I could even touch my toes, which is something which I have not been able to do for quite some time. I had forgotten how stiff my back had become."

FURTHER READING: Where the Spirits Ride the Wind - By Felicitas Goodman


Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA), and has published numerous articles about plant medicines.

Visit our website www.shamanism.co.uk

Friday, September 14, 2007

Ayahuasca & Plant Spirit Shamanism - Amazon Rainforest Retreat Peru


Ayahuasca & Plant Spirit Shamanism - Amazon Retreat

November 10th - 24th 2007 Optional Extension Week - November 25th - December 1st 2007


A dedicated programme in the Amazon rainforest, which is focussed on an inner and deep self-exploration and encounter with the power of the rainforest. This is an adventure into the magical world of the rainforest, and a transformative experience of the ancient mystical rituals of the plant spirit medicines. This programme will take place in the Mishana Private Retreat Centre.

We have 57 Hectares (140 acres) of land with a lodge in the Allpahuayo Mishana Nature reserve.
Our lodge is located directly on the river which is part of a 58,070 hectare nature reserve. Due to a combination of geological factors and diverse soil types, the reserve supports a unique community of plant and animal species. It is the ‘jewel’ in the crown for bird-watchers and contains dozens of species which are unique to this area.

The Reserve contains one of the highest biodiversities known in the Amazon basin. The Lodge is located directly on the Rio Nanay which is a tributary of the Amazon River. Our lodge is situated in-between two bends of the river giving an amazing panoramic view . We have our own boat so trips can be made to some interesting, and extraordinarily beautiful places along the river.
The lodge is a 2 hour river journey from Iquitos by power boat. We have the dedicated services of a maestro shaman.

Included in the program are individual personal healing or consultative sessions based upon your personal needs by our shaman. The maestro will also provide experiential teachings about the fascinating medicinal and psycho-spiritual properties of the local plants.

Participants can choose their plant medicine which will be made fresh for them. Our accommodation is in comfortable traditional cabins or tambos (dieting huts), a leaf roof supported by poles and with open sides (the most intimate way to sleep in the jungle). The beds benefit from a comfortable mattress and fly nets when necessary. The tambos are spread out to assure privacy and minimum disturbance from others.


Participants have a choice of using either the cabins in the ‘Casa Grande’ annex or tambos for their retreat. During the day when there are no activities, there will be hammocks to relax in, and you can read, or wander into the forest, or swim in the river (there is a small sandy beach). Our ceremonies and meeting will be held in either the Casa Grande with an open platform on stilts directly on the river with a magnificent view of the rainforest and star filled sky. or our maloca (ceremonial temple), a large circular tambo made of natural materials and shaped like a womb. We will eat our meals in the lodge, the traditional meeting place, where food is cooked on a wood fire.

Single Accommodation
One of the unique characteristics of this programme is that we offer single accommodation throughout both in the hotels in Lima, Iquitos, and at our Centre in Mishana. This ensures that participants can obtain the maximum benefit from their encounter with the plants. The Diet really needs to be taken in solitude and personal retreat without distractions. This is a defining characteristic of this programme. Typically other programmes do not offer this and dormitory / shared accommodation is usually the rule. Our Tambos (individual accommodation huts) are all different and are spread out, some with more isolation than others and we also have individual accommodation rooms in the wing of our Casa Grande for those who would prefer being close to the main facilities.

There are photos on the web or I can send pictures on request. Our intention in this journey is to provide the conditions and orientation to enable participants to follow a proper diet, and for it to be as near as possible to what indigenous people have done for thousands of years, (although we can avoid unnecessary hardship, in any case a diet is not a trial of endurance). The diet is a journey of self-exploration and the maestro is there to give support, It is more important that the shaman is an evolved and impeccable person, who will guide us to learn for ourselves and benefit from our experiences in safety. Participants will undertake to ‘diet’ a plant for a full six to eight days, selecting their plant from a range of options which will be explained by the maestro and depend on individual requirements.

Some plants are good for specific ailments as, for example Chuchahuasi for arthritis and other bone conditions, although there is always a magical world opened up by the plant spirit. Other plants have specific spiritual benefits. Chirisanango and Ushpahuasanango, for example, open up the heart and are healing to emotions. Guayusa works very curiously on one’s dreams, affording an experience of being conscious while in fact asleep or dreaming.
The plants used will all be compatible with Ayahuasca so that we can benefit from the plant diet during Ayahuasca ceremonies.

There will be a programme of talks, exercises, individual sessions and group meetings without prejudicing the spirit of the diet. This is a way to learn from observation and intimate contact with nature, practical artistic exercises using local materials. We will participate in the gathering and preparation of Ayahuasca, a prolonged ritual in which power is invoked from the planta maestra. We will learn about healing plants and how to find them.

The Shamans
We are very delighted to have secured the services of some of the most experienced shamans in the region, during our Retreats we will work with one of the following shamans;, Artidoro Aro Cardenas, Javier Arevalo and Leoncio Garcia.

Artidoro Aro Cardenas
We have worked with Maestro Artidoro on our previous Amazon Retreat, and again we were greatly impressed with his knowledge of medicinal and power plants, and his compassion and support for the participants. Although Artidoro is Mestizo he has lived amongst the Ashaninka Indians for many years, and has learned their languages which result in that many of his chants come from a variety of indigenous groups including the Ashaninka, Cashibo, and Capanaua .He has started his own centre near Iquitos.


Javier Arevalo
We have worked with Javier many times on our Retreats, we also brought him to the UK for a special Amazonian Medicine camp in 2002. We are greatly impressed and moved by his dedication, and his commitment to the demanding rigours of an Amazonian shaman.It is fair to say that everybody who has worked with Javier has been touched by his kindness, compassion , humour, and spirit


Leoncio Garcia
The Shipibo maestro is now in his mid 70’s with the appearance of a man in his 50’s. He was born in the Shipibo community of San Francisco by Yarina Cocha (an oxbow lake near Pucullpa). On a number of occasions he has worked with medical doctors in various cities in Peru. Don Leoncio also founded a healing centre near Nina Rumi on the Rio Nanay.


Benjamin Ochavano

Is a traditional Shipibo (elder shaman). He is in his late seventies. His chants (icaros) sung in the Shipibo language are extraordinary, beautiful and powerful.



Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest He is the author of Plant Spirit Shamanism (Destiny Books USA).

Visit the website for info about our Andean & Amazon Ayahuasca Retreats

Thursday, August 30, 2007

Ayahuasca, Sacred Medicine for the Soul PART 2


I discovered that Ayahuasca is a medicine, so unlike the Western understanding, a medicine which works on every level, on the physical and non-physical beings, our consciousness, our emotions, and our spirit. It is as if you are drinking not just a liquid brew but imbibing an ‘other’ intelligence which knows exactly what is needed to help you. This is a communion in the true sense of the word, an intense experience of euphoria and ecstasy. A journey of deep and profoundly meaningful personal and trans-personal insights , a searchlight on the hidden thoughts and feelings in the sub-conscious mind, an erasing of the ego boundaries and a merging with the greater field of consciousness of creation.

The was more and more to experience, dieting some of the teacher plants such as Ajo Sacha and Guyasa, I felt my senses being altered , expanded in some ineffable way, and becoming aware of the song, the very rhythm of the rainforest. There was sound, smells, and sights around me, which I had not been aware of in my normal everyday waking state. I could zoom in on smells, and sound, I realised that the rainforest was one entity with the insects, birds, and animals being a part of the totality of the rainforest. I am in paradise when lying in my hammock; it is like floating within a living three-dimensional sensorial experience of sound, colour, smell, movement, and vibration all in harmony and great beauty.


The work with the visionary plants not only provides a philosophical frame of reference for my life so to speak, but is also a path for deep soul healing, and generates a desire to engage fully and with enthusiasm the world around me. Celestial visions are always very nice and pleasing but they must never cloud, disguise, or distract our real purpose to live in the full embodiment of being a human on this beautiful planet and striving to enrich that special and unique experience, our ‘earth walk’. I recall some years ago when I led a group to the Amazon Rainforest, our initial gathering with our shaman Javier Arevalo so we could all introduce ourselves. Javier was very curious about Westerners, and was interested in knowing what we were searching for with the visionary plants. One participant stood up and said she wanted a clear and definitive understanding of the male and female principles of the universe, the cosmic “ying and yang” as she put it. Well Javier was totally mystified by this question, as when I have attended his sessions with local people who visit him for a consultation or session they ask about everyday problems and concerns such as “is my boyfriend / husband / girlfriend cheating on me?”, or “why am I unlucky in finding a job?”, “I need help to overcome this disease”. Well we worked with our participant to explore what the real question was behind her initial enquiry, finally she said that she was really looking for love in her life, and of course, Javier could understand this deep desire completely, and was subsequently able to help her discover and reconcile the inner obstacles, which had been preventing this.


In this context, the teacher plants can provide a doorway to great and meaningful insights in the adventure of personal growth and healing. The growth and healing has therefore to be also in the physical world, thereby offering the opportunity to reveal our emotions, traumatic and turbulent experiences hidden or otherwise and so these can be released and ourselves restored. This access to our soul companion (our greater selves) , this flowing omni-present force guiding our life which presents with what are often called euphemistically “growth opportunities” for us to overcome. The plant teachers can show us these, where we can transcend linear time itself, and we journey within this eternal now at the very place in time where we experienced such a difficult event or suffered a troubled pervasive period in our life. We can re-experience this albeit from a different perspective, learn what happened, the reasons why it occurred and the subsequent impact and consequences on our life, and then to release any pain and trauma locked within our being. This release within the Ayahuasca experience is called ‘la purga’ our purge, when we literally purge this pain from our being, it is not only the contents of our stomach which are being released but also the deeply stored bile and sourness in our bodies generated from these difficult events. The plants offer us the potential for deep soul healing so we can become stronger and more able to engage fully in the precious gift of life.

Developing a personal relationship with Ayahuasca is within a background of an ancient body of practices. For example, there is a dietary regimen, and prohibitions regarding libidinous thoughts and activity. These considerations need to be respected and can not be ignored if one embarks on a path of communion with the plant. On observation and study (also called trial and error), this regime helps us to become more ‘plant like’, therefore increasing our receptivity to the plant-spirit-mind.

Many of my visionary experiences with Ayahuasca have led to a deeper understanding of my life and the role that various people had played in it. Sometimes I became those people, lived their lives, and came to understand why they did what they did, what decisions they had to make in their lives. These revelatory experiences invariably led to some form of closure with that person, like completing an open chapter, or a profound healing of my relationship with that person.

Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA. Click for more information at www.shamanism.co.uk

Ayahuasca, Sacred Medicine for the Soul PART 1


We humans have a special relationship and dependence on plants. Since our beginnings, they have been the source both directly and indirectly of our food, our shelter, our medicines, our fuel, our clothing, and of course the very oxygen that we breathe. This is common knowledge and in general we take if for granted. Yet we view plants in our Western culture as semi-inanimate, lacking the animating force labelled soul, mind, or spirit. Many people ridicule and regard as eccentric those who speak up and say they communicate with plants. You only have to recall the popular reaction to Prince Charles’s comments saying that he often did just that.

The biggest challenge for a Westerner undertaking this communion with the plants is to accept that there is another order of nonmaterial reality that a person can experience through his entrance into plant consciousness, and to do this requires a significant leap of the imagination. We are all born into the social paradigm that surrounds us, with all its beliefs, myths, and institutions that support its view of the world, and it is not within our worldview to accept the immaterial and irrational. Before we embark on this journey to the plant mind, then, we first need to examine some of our most deeply ingrained assumptions, assumptions still fostered by many of our religious and social institutions today. The starting place for this journey is we ourselves.

HomoSapien-centricity is a strange looking word but perhaps an appropriate one to describe the concept that many of us, consciously or not, carry within us: that we humans are the most important (and maybe even the only) conscious and self-aware, that is, ensouled beings in the universe. For shamans the world that we perceive through our senses is just one description of a vast and mysterious unseen, and not an absolute fact. Black Elk, In John G. Neihardt’s book, Black Elk Speaks , the Oglala Sioux medicine man, remarked, that beyond our perception is “the world where there is nothing but the spirits of all things. It is behind this one, and everything we see here is something like a shadow from that world.”

How can we enter into a communion (in the true sense of the word) with the plant consciousness or soul? This can indeed be difficult, as we in our culture have long forgotten this understanding and body of knowledge. However we can learn from those peoples who still live within a paradigm that our physical forms are illusions, and beyond that we are all connected and no different from all things. Modern physics which recognises the underlying nature of form and matter as an energy which pervades and informs the universe is saying the same as the ancient shamans, “reality is an illusion, albeit a persistent one” Albert Einstein (Alice Calaprice. The Expanded Quotable Einstein. )

These are the peoples referred to by the Alberto Villoldo as those who were never ejected from the Garden of Eden (unlike us). It is clearly a good way to learn and study from the shamans of the Amazon rainforest where this knowledge is still alive and from those who still live in the mythological Garden of Eden. One of the great plant teachers is Ayahuasca, also called the ‘Vine of the Soul’.

Ayahuasca is a combination of two plants (although other plants are added to elicit certain visionary experiences or healing purposes). This mixture of two plants the Ayahuasca vine and the Chacruna leaf, operate in a specific manner with our neuro-chemistry. The leaf contains the neuro transmitters of the tryptamine family (identical to those present in our brain) and the vine itself acts as an inhibitor to prevent our body’s enzymes from breaking the tryptamines down thereby making it inert. Science defines this as the MAOI effect (Monoamine Anti Oxide Inhibitor) and forms the basis for many of the widespread anti-depressant pharmaceutical medication such as Prozac and Seroxat. This MAOI principal was only discovered by Western Science in the 1950’s, yet interestingly this very principle has been known by the plant shamans for thousands of years, and when you ask the shamans how they knew this, the response is invariably “the plants told us”.

The Sacred Doorways to the Soul

The plants have in my subjective experiences have been a doorway to my place in the great field of consciousness. I am aware that subjective experience is not regarded as scientific, but at the end of the day, all our experiences are subjective and reality is not always that consensual as we believe it to be. It is somewhat of a paradox that the leading edge of modern science, Quantum Mechanics has also arrived at this conclusion and describes a mind-bending reality in which we are all both alive and dead at the same time. Quantum particles (the very basis of matter) exhibit the properties of bi-locality i.e. exist at different locations in the universe at the very same time transcending vast distances of many thousands of light years.

With the visionary plant doorways opening to the wider field of consciousness my experience and personal revelation is, that I am a discrete element in this great field, a unique frequency or wavelength amongst infinite others and that all these are vibrating in a vast wavelength of ecstatic harmony. I understand the purpose of my human existence is to be just simply human, and embrace the unique experience of human emotions and feelings. I have learned that my soul is not separate and is integral to me. Expressed differently, I am part of this soul, which has the appearance of form. My soul is outside of physical time, space, and itself a component of an ineffable and indescribable existence in infinity.

My first real encounter with the plant world of the shamans was when I first arrived in the Amazon some twelve years ago. The moment I stepped off the aeroplane in Iquitos it felt as if I had been hit by bolt of energy. I felt so energised that I didn’t sleep for two days, my senses were at a heightened state of awareness, and it felt as if I could hear the heartbeat of the rainforest itself.

Iquitos is a city in the Amazon rainforest, there are no roads (completed anyway) to it. The only way to get there is via aeroplane or by river boat. The city in the 19th century was the centre of the Rubber industry but by the early 20th century the rubber trade had moved to the Far East, and the city had fallen into neglect and disrepair. It is now a place without an apparent purpose resplendent in its post-colonial splendour literally in the middle of nowhere, a true frontier town.

I recall my first moments in Iquitos standing on the Malecon at the edge of the city overlooking the river and some 3000 miles of pure rainforest spread out in front of me, an exhilarating experience which still fills me with wonder and awe.

I had come to Iquitos out of a long-standing interest and desire to experience at first hand the living tradition of plant spirit medicines and of course, the magical brew of Ayahuasca of which I had heard so much about.

I was not to be disappointed; my first sessions with a shaman in an open jungle clearing changed my view and understanding of life, a spiritual epiphany. I experienced being in the very centre of creation. I had the realisation and experience that I was not separate but an intrinsic part, a discrete element in the vast cosmic mind or field of consciousness, and that we were all connected. All part of the one great mind, and our experience of ‘separateness’ was no more than an illusion, generated by our being in our bodily vehicle which housed our senses.

One of my most profound experiences in an Ayahuasca ceremony, when I found myself transported to what I felt as the centre of creation. I was in the cosmos witnessing totality, planets, stars, nebulas, and universes forming. Everywhere stretched vast patterns of intricate geometric and fluid complexity constantly changing size and form. The chanting of the shaman was filling every cell with an electric force, every port of my body was vibrating and it felt as if I was being bodily lifted into the air. I was in a temple of sound, vibration and bliss. Gathered around me were giants in ornate costumes of gold and multi-coloured feathers blowing smoke and fanning me, these were the spirits of Ayahuasca, and then this soft gentle and exquisitely soft and sensual voice spoke to me of creation and the universal mind.

To reinforce this poetic insight, the words appeared before me in bold neon like script. When I related this after the session to the maestro said, “Ayahuasca wanted you to understand”, and he continued; “Ayahuasca opens doors to different dimensions. Often the mind can be obstructed from accessing inner knowledge. Ayahuasca can open up the mind to abstract things that cannot be seen in the material world. If I hadn’t had the experience, I would not be able to believe that a tree could have its own world or have a spirit. But when you begin to discover these dimensions personally, little by little you begin to recognise and accept the mystery of it.”

Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). Click for more information at www.shamanism.co.uk

Wednesday, August 1, 2007

Ayahuasca Shaman and Peruvian Mystic, Alonso del Rio Interviewed





Alonso del Rio interviewed by Howard G. Charing and Peter Cloudsley.


Alonso del Rio is a powerful maestro who interweaves Shipibo and other icaros with sacred music of his own to lead you on your journey; he is both a talented musician and an inspiring communicator of the Amazonian shamanic world. He first came into contact with ayahuasca in 1979 after spending three years working with huachuma (San Pedro). This was when he met Don Benito Arevalo, a grand Shipibo shaman with whom he developed a long relationship, and who gave him his first teachings in ayahuasca and other medicinal plants.

Later, taking ayahuasca alone as part of his traditional teaching, he says: "I didn't feel comfortable reproducing the chants that I'd learned with my maestro, so one night I picked up my guitar and began to play what came to me and the result was surprising. From then on I was never without my guitar at ceremonies and over the years many songs came to me, set to different rhythms for ceremonies and incorporating teachings and revelations from the medicine itself.” He has published three CDs to date. Alonso lives in the sacred valley of Cusco where he runs a healing centre and a primary school for local children.

The potential and purpose of Ayahuasca

For most traditional shamans, ayahuasca is a tool for diagnosing illness, and as curanderos, (healers) they will mediate with plant spirits to heal their clients both physically and spiritually. More ‘popular’ urban shamans can also use their magical powers to change your luck, for example attracting money or a lover.
On this retreat we would like to develop another aspect, perhaps even more serious, and use the plants as powerful tools for self knowledge. Amongst all the spiritual paths that the world offers, Alonso believes that, at this time, teacher plants are the best way for people to gain a deep knowledge of themselves and at the same time this can solve some problems that other paths cannot.


During his 30 years experience with ayahuasca and San Pedro, Alonso never wanted to be a shaman or attain magical powers but rather gain self development through self knowledge. He will share his discoveries to help us ‘undo’ the mental programming and the cultural conditioning (family and ancestral) which models our minds. Ayahuasca is a powerful tool for being happy and free, says Alonso.

The retreat we are holding with Alonso, could equally suit a person who has some background in Buddhism, yoga or mysticism.

It is a space for having contact with divinity without intermediaries or interpretations. Ayahuasca allows you to be gently introspective, to see your fears, worries and everything that makes you suffer! It can take you back through your life to show you at what moment the suffering took hold in your body and in your memory, how it has made you live on a superficial level because underneath there is too much pain, and as we don’t want to feel pain, how we condemn ourselves to living on the surface. With ayahuasca we can enter the pain at the time when we were children, when we experienced the first traumas and agonies of life, and cleanse it by forgiving the whole chain of events and the people who made us suffer. Traumatic experiences are inevitable in life, but what we cannot afford to do is live with resentment and blame people, as this ruins our relationships.


Some people may not be satisfied with the life they lead. Ayahuasca enables them to see their priorities. Is it following a spiritual path that you want most, or making money? Do you want to start a family or do you want to pursue your career? Constantly doing what is expected of us we cause suffering. The answers are all inside us. We must live by what we profoundly want. Ayahuasca clarifies your priorities and feelings, which are neither good nor bad in and of them selves.
Conversation with Alonso


There are many myths about the origin of Ayahuasca and there is even one which has been growing fast in the West, that Ayahuasca is what we need to get us out of the mess we’re in! But can it work for Westerners the same way if they are outside the cultural context and all the associated beliefs that go with it?

I think it works but its different. The mind of a person brought up in the selva without much contact with the Western world, probably born about 50 or 70 years ago, as are the majority of traditional maestros, have lived without watching TV and other Western influences. His mind is very different from your or my mind. So to have access to the same visions, the same codes is difficult. But what I have found is that the expansion of the consciousness and the power that the plant gives you to understand many things is perfectly valid.

The magical space to which we are taken - call it the ‘unconscious’ or any term you want to use depending on your psychological model - is one where all the kingdoms of nature can communicate. That is people can talk to plants, and plants with minerals, minerals to animals and animals with humans… all in the same language. It is a very real communication and one of the greatest mysteries which exists. This is something which an English person, or a Peruvian born in Lima can experience just as an Amazonian person. Because you can do it without speaking in a native dialect, it doesn’t go through the mind but between one spirit and another.

Some Westerners have done themselves harm by not respecting the diet properly, and some have tried to make special exceptions for foreigners.

Yes its true, and the main point they have missed is respect, respect for a tradition. Its not that there is one diet for a native and another for a Westerner. There is one diet not two! Its more than what you eat, its sex and other things too. Otherwise anyone could come along and pretend that it was a bridge to a wonderful sexual experience! There is no limit to the imagination of some New Age gurus. If you follow these traditions which have been tried and tested for thousands of years and then you want to make modifications, then probably you can do it. But first you need the nobility to undergo the full rigors of the tradition, then you can have the authority to alter things for your people. But if you can’t hack doing a proper diet, then you are not in a position to underrate it.

There was a group of Germans who after sessions with Guillermo, would go to the disco, assuming they had come down from the effects of the ayahuasca. They would dance to the very loud music. It gives you an idea of how mistaken you can get from not respecting the tradition. You need to prepare your mind and body to receive all the information which comes to you, otherwise it might destroy you like lightening burns up a tree.

As you continue to work with plant diets, you have more intense experiences, and at the same time you develop a greater capacity to resist them, until you can take the strongest plants and live more in the other reality and to be able to return to your self, to your body.

Alonso relates an Ashuar Myth

In the time of the ancestors there was a ladder, like a rope which connected the world of the Ashuar with the upper world. Here lived other beings just like the Ashuar but they were spirits. These beings were very powerful and could transform themselves into anything they wanted. One day Moon-man cut this ladder so that the people could no longer communicate with their spirits above, and thus they lost their power. Moon man refers to the way of relating to all things in everyday reality through the mind. This is what gives 'everyday reality' its often disempowering quality, 'its out there and we cannot change it'. In other words the mind came between man and the spirit world. The Ayahuasca is the broken rope, but it is always there.

In all cultures there is a recollection of an era when people could talk with the spirits directly. Then civilization arrives, and holds reason as the highest human achievement. What is not rational, does not exist, and that is what has reigned until today. For 2000 years we have suffered this kind of tyranny of reason. If its not logical its not worthy of us. The next step in our evolution is the reconciliation of these two things, and will be the union of reason with intuition. It will generate a new development in humanity leading to other states of consciousness and knowledge.

So what are we to make of taboos, supposedly irrational, but they must have served some purpose because our ancestors were not stupid?

In some cases they may have become distorted in some way but generally they come from something real, so its best to respect them without rationalizing them. If we try to do that we are already on the wrong track.

Alonso del Rio is holding a workshop, Ayahuasca and San Pedro Ceremonies at the Eagle's Wing Plant Spirit Shamanism Retreat at Mishana, October 2007. For more information, visit the author's website.Retreat and Workshop with Alonso del Rio

Thursday, July 26, 2007

Shamanism and Drumming for the Shamanic Journey


The Shamanic Journey is a technique which facilitates a visionary experience into expanded awareness. This activates our imagination and creativity, and allows us to bypass linear, familar and rational thinking. In this state of expanded awareness we can find new insights, perspectives, and ways to resolve problems.

Drumming for the Shamanic Journey, with Leo Rutherford & Howard G. Charing
It is a CD specifically made for this. It comprises; two 20 min solo and 40 min double drumming.

What is Shamanism?
Shamanism is the oldest way in which humanity has sought connection with Creation. The origins of shamanism go back at least 40,000 - 50,000 years to Stone age times. All of us have evolved from shamanic cultures, it is our roots wherever we live.

A shaman knows that all things are alive and ‘walks with one foot in the everyday world and one foot in the spirit world’. Contemporary shamanism is the application of these ancient timeless ways to life here and now.

Shamanism is not a belief system. It is a path to knowledge which is gained through experience of life, through rituals, ceremonies, prayers and meditation, trials and tests. Knowledge is something that works, that stands up to the test of time, that is known from the inside.

Cosmology of the shaman
Shamans divide non-ordinary reality into three other regions, the upper, lower and the middle worlds. Each has its own characteristics and whilst each individual traveller experiences initially their own version, once one becomes a proficient journeyer, it is amazing just how connected we all are at these levels.

The Lower world is the place of instinctual knowing where our animal-like powers reside and where we can find practical earthly help and guidance.

The Upper world is the word of spirit teachers, cosmic beings, great wise elders, ancestors who appear usually in human form. Their help and guidance is often perceived to be more general and philosophical.

The Middle world is both the everyday physical world that we live in, the world of ordinary reality, the tonal, and also a parallel non-ordinary version of our world.

It is a CD specifically made for shamanic journeying, and to do this, the drums have to be as monotonous as possible and maintain a consistent beat between 205 to 210 beats per minute. At this specific beat, the brain is stimulated to synthesise natural beta-endorphins which facilitate a person to move into what is known as the ‘second attention’, an altered state of awareness, or shamanic state of consciousness. This state of awareness facilitates the shamanic journey.

A Shamanic Journey to the Lower world.

To begin, find a place that you feel comfortable and will not be disturbed for about 30 minutes. When you are ready, lie down comfortably, and darken the room, or at least cover your eyes. It is easier to journey in non-ordinary reality in the dark. Remove tight clothing, take off your shoes and allow your breathing to move to a gentle rhythm. Relax for a few minutes, focusing on being centred, and grounded.

When you are ready visualise or imagine, a place which reminds you of the Earth, a place which you know of. This place should be a real place, perhaps somewhere you have visited, or seen in a film or photograph, and it can be anywhere, a hill, mountain, grasslands, forest, by the ocean. At this place allow yourself to perceive an entrance or opening into the Lower world. This entrance can be a hollow tree, an animal burrow, a cave entrance, a man-made opening e.g.; a trapdoor, it can any entrance into the ground or water. You will find that the right entrance will feel comfortable to you, take a minute or so to study it in detail.

Now when you are ready, enter into the opening. The beginning of the tunnel may appear dark, it may angle down in a slight incline, or it may incline steeply. The tunnel may appear to be ribbed, and often it bends, sometimes it may become spiral-like, but it will always lead downwards.

Continue down the tunnel until you come out of doors into a landscape. If you come into a cavern, you will need to move outside and into the landscape, there will be an exit for example a door or an opening which will enable you to do this, it should be easy to get sight of it.

Now in the landscape, just look around. It may be daytime, night-time, forest, woodland, or near water. Extend your senses, listen, can you hear anything, the sound of birdsong, the sound that the wind makes as it blows through the tree tops, perhaps the sound of running , flowing water. Feel the ground underneath your feet, feel the ground pushing up against the soles of your feet. Sense the wind, the breeze, sense the movement of air around you. What does it feel like? Have an awareness of being there.

If you want to explore the landscape, remember where the entrance is, keep track of where you go. Just as in any ordinary-reality journey, it helps if you keep a note of landmarks so you can retrace your steps to return.


• Track 1. Solo Drumming (with call back) 20 minutes with Leo
• Track 2. Solo Drumming (with call back) 20 minutes with Howard
• Track 3. Double Drumming 9with Call back) 40 minutes with Leo & Howard

Cover notes

The CD comes with detailed notes describing the cosmology of the shaman, and instructions for a journey.

Technical information

The drumming was recorded live directly onto digital tape at Sync City recording studio in London. The drumming was played in the 'live-sound' studio and no sound modification process was used.

Both drums were single headed frame drums. For the double drumming track, both drums were held facing each other in a position to optimise the natural reverberation.

The recording engineer was Wan Hewitt, himself a professional drummer. He has been dubbed the 'drummers darling' due to the great live sound he gets.

Howard G. Charing and Leo Rutherford are accomplished international workshop leader on shamanism. They have worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. They have authored a number of books on Shamanism. The Drumming for the Shamanic Journey CD is available from Eagle's Wing. For ordering information Visit their website www.shamanism.co.uk

Saturday, July 21, 2007

The Visual Music of the Shipibo tribe of the Amazon

The Magical Art of the Shipibo People of the Upper Amazon

By Howard G Charing

Underlying the intricate geometric patterns of great complexity displayed in the art of the Shipibo people is a concept of an all pervading magical reality which can challenge the Western linguistic heritage and rational mind.

These patterns are more than an expression of the one-ness of creation, the inter-changeability of light and sound, the union or fusion of perceived opposites, it is an ongoing dialogue or communion with the spiritual world and powers of the Rainforest. The visionary art of the Shipibo brings this paradigm into a physical form. The Ethnologist Angelika Gebhart-Sayer, calls this “visual music”.

The Shipibo are one of the largest ethnic groups in the Peruvian Amazon. These ethnic groups each have their own languages, traditions and culture. The Shipibo which currently number about 20,000 are spread out in communities through the Pucallpa / Ucayali river region. They are highly regarded in the Amazon as being masters of Ayahuasca, and many aspiring shamans and Ayahuasqueros from the region study with the Shipibo to learn their language, chants, and plant medicine knowledge.

All the textile painting, embroidery, and artisan craft is carried out by the women. From a young age the Shipibo females are initiated by their mothers and grandmothers into this practice. Teresa a Shipiba who works with us on our Amazon Retreats tells that “when I was a young girl, my mother squeezed drops of the Piripiri (a species of Cyperus sp.) berries into my eyes so that I would have the vision for the designs; this is only done once and lasts a lifetime”.

The intricate Shipibo designs have their origin in the non-manifest and ineffable world in the spirit of the Rainforest and all who live there. The designs are a representation of the Cosmic Serpent, the Anaconda, the great Mother, creator of the universe called Ronin Kene. For the Shipibo the skin of Ronin Kene has a radiating, electrifying vibration of light, colour, sound, movement and is the embodiment of all possible patterns and designs past, present, and future. The designs that the Shipibo paint are channels or conduits for this multi-sensorial vibrational fusion of form, light and sound. Although in our cultural paradigm we perceive that the geometric patterns are bound within the border of the textile or ceramic vessel, to the Shipibo the patterns extend far beyond these borders and permeate the entire world.

One of the challenges for the Western mind is to acknowledge the relationship between the Shipibo designs and music. For the Shipibo can “listen” to a song or chant by looking at the designs, and inversely paint a pattern by listening to a song or music.

As an astonishing demonstration of this I witnessed two Shipiba paint a large ceremonial ceramic pot known as a Mahuetá. The pot was nearly five feet high and had a diameter of about three feet, each of the Shipiba couldn’t see what the other was painting, yet both were whistling the same song, and when they had finished both sides of the complex geometric pattern were identical and matched each side perfectly.

The Shipibo designs are traditionally carried out on natural un-dyed cotton (which they often grow themselves) or on cotton dyed in mahogany bark (usually three or four times) which gives the distinctive brown colour. They paint either using a pointed piece of chonta (bamboo) or an iron nail with the juice of the crushed Huito (Genipa americana) berry fruits which turns into a blue- brown-black dye once exposed to air.

Each of the designs are unique, even the very small pieces, and they cannot be commercially or mass produced. In Lima I met with a woman who had set up a government funded community project which amongst other matters established a collective for the Shipibo to sell their artisan work and paintings. She tells that a major USA corporation (Pier 1 Imports), enamoured by these designs ordered via the project twenty thousand textiles with the same design, this order could never be fulfilled, the Shipibo could simply not comprehend the concept of replicating identical designs.

The Shipibo believe that our state of health (which includes physical and psychological) is dependent on the balanced union between mind, spirit and body. If an imbalance in this occurs such as through emotions of envy, hate, anger, this will generate a negative effect on the health of that person. The shaman will re-establish the balance by chanting the icaros which are the geometric patterns of harmony made manifest in sound into the body of the person. The shaman in effect transforms the visual code into an acoustic code.

A key element in this magical dialogue with the energy which permeates creation and is embedded in the Shipibo designs is the work with ayahuasca by the Shipibo shamans or muraya. In the deep ayahuasca trance, the ayahuasca reveals to the shaman the luminous geometric patterns of energy. These filaments drift towards the mouth of the shaman where it metamorphoses into a chant or icaro. The icaro is a conduit for the patterns of creation which then permeate the body of the shaman’s patient bringing harmony in the form of the geometric patterns which re-balances the patient’s body. The vocal range of the Shipibo shaman’s when they chant the icaros is astonishing, they can range from the highest falsetto one moment to a sound which resembles a thumping pile driver, and then to a gentle soothing melodic lullaby. Speaking personally of my experience with this, is a feeling that every cell in my body is floating and embraced in a nurturing all-encompassing vibration, even the air around me is vibrating in acoustic resonance with the icaro of the maestro. The shaman knows when the healing is complete as the design is clearly distinct in the patient’s body. It make take a few sessions to complete this, and when completed the geometric healing designs are embedded in the patient’s body, this is called an Arkana. This internal patterning is deemed to be permanent and to protect a person's spirit.

Angelika Gebhart-Sayer, Professor of Ethnology, University of Marburg writes that "Essentially, Shipibo-Conibo therapy is a matter of visionary design application in connection with aura restoration, the shaman heals his patient through the application of a visionary design, every person feels spiritually permeated and saturated with designs. The shaman heals his patient through the application of the song-design, which saturates the patients' body and is believed to untangle distorted physical and psycho-spiritual energies, restoring harmony to the somatic, psychic and spiritual systems of the patient. The designs are permanent and remain with a person's spirit even after death.”.

Whilst it is not easy for Westerner’s to enter and engage with the world view of the Shipibo which has been developed far away from our linguistic structures and psychological models, there is an underlying sophisticated and complex symbolic language embedded in these geometric patterns. The main figures in the Shipibo designs are the square, the rhombus, the octagon, and the cross. The symmetry of the patterns emanating from the centre (which is our world) is a representation of the outer and inner worlds, a map of the cosmos. The cross represents the Southern Cross constellation which dominates the night sky and divides the cosmos into four quadrants, the intersection of the arms of the cross is the centre of the universe, and becomes the cosmic cross. The cosmic cross represents the eternal spirit of a person and the union of the masculine and feminine principles the very cycle of life and death which reminds us of the great act of procreation of not only the universe, but also of humanity, and our individual selves.

The smaller flowing patterns within the geometric forms are the radiating power of the Cosmic Serpent which turns this way and that, betwixt and between constantly creating the universe as it moves. The circles are often a direct representation of the Cosmic Anaconda, and within the circle itself is the central point of creation.

In the Western tradition, from the Pythagoreans, and Plato through the Renaissance music was used to heal the body and to elevate the soul. It was also believed that earthly music was no more than a faint echo of the universal 'harmony of the spheres'. This view of the harmony of the universe was held both by artists and scientists until the mechanistic universe of Newton.

Joseph Campbell the foremost scholar of mythology suggests that there is a universe of harmonic vibrations which the human collective unconscious has always been in communion with. Our beings beat to the ancient rhythms of the cosmos. The traditional ways of the Shipibo and other indigenous peoples still reflect the primal rhythm, and their perception of the universal forces made physical is truly a communion with the infinite.

To View the original article (first published in Sacred Hoop Magazine)with detailed colour photographs, visit our website: Shipibo Article

Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). His website: www.shamanism.co.uk

Shamans of Peru, Sacred Chants, Icaros, and Music


Shamans of Peru, Sacred Chants, Icaros, and Music

The haunting, plaintive music of Peruvian shamans was recorded by the Eagle's Wing Centre for Contemporary Shamanism at ceremonies in the Peruvian Andes and the Amazon rainforest.
Wave Magazine Review.

The Shamans of Peru - Ceremonial Chants, Icaros, and Music

This unique set of recordings documents a collection of ceremonial chants and Ayahuasca icaros on CD.

Tracks 1-3 San Pedro ceremony held in Puruchucu, at the head of the Rimac valley. The ruins of this sacred site or huaca date back to pre-Inca times and have been accurately reconstructed. Setting the scene for the ceremony, three musicians play replicas of pre-Hispanic instruments. Alonso del Rio says: ‘while keeping to their original tuning, we have explored the instruments musical possibilities to give an idea of what the music could have been like in pre-Colombian times. The melodies came to us through the ancestral memory evoked through medicinal plants like San Pedro and Ayahuasca’. Instruments: the ceramic notch flutes of the Chincha civilization, Nazca panpipes or ‘antaras’ with their special tuning similar to Oriental scales, and Nazca drums.

The Mesa Nortena is a particular ceremonial tradition best conserved in the region of ‘Las Huaringas’, high and remote sacred lakes in the northern Department of Piura.
There are probably only a few good maestros who continue this ancient tradition in Peru today. The rest simply work with the externalities of the mesa, while giving their clients minimal doses of the visionary San Pedro cactus. Originally more importance was given to the medicine, which must be in the organism of the participants as well as the maestro for the power to flow. The mesa then served to intensify the power of the plant.

An altered state is needed to enter the symbolic world of the objects on the mesa (the word refers to the altar as well as the ceremony itself). The abundance of macerated plants, perfumes and smells employed in the mesa function to move the feelings associated with one’s memories. At a deep level, sensations are translated into vibrations which the medicine brings to consciousness so that associated hurt and pain can be ‘re-membered’ again and a new attitude can emerge.

The singado, or absorption of macerated tobacco juice through the nostrils involves another power medicine which is used to intensify the San Pedro at regular intervals. The instruction from the maestro to pour up the left or right nostril reflects the notion of duality found in shamanic disciplines all over the world: masculine and feminine, hot and cold, upper world and earth, expansion and contraction, flowing and stagnant. Illness arises from one of these polarities loosing equilibrium. The word singado comes from the Quechua word singa meaning nose and is perhaps an Andean notion of Pranayama!

Also audible in the following two mesas 4- 5 are the clicking of chontas, or black bamboo sticks used for cleansing people’s auras and the spraying from the maestro and assistants’ mouths, of perfumes and plant macerations over the participants.

The tendency to commercialise a tradition is inherent in urbanization and seeing things for their utility and business. For example mesas are sometimes held so that lawyers win legal battles. Piles of documents are laid on the mesa so that the power works on them and they win their case. In this way a shamanic ceremony is degraded to folklore. We can try to reconstruct the original tradition to how it was in pre-Colombian times and remove the images of Sarita Colonia and the other saints, crucifixes, photos etc., which have accumulated throughout the centuries and evolved the mesa into the mestizo tradition which survives today. Left behind are the ancient stones, magic plant brews and the enchanted waters of the lakes of Las Huaringas, being the original elements, which have survived underneath.

Track 4 Mesa with Alejandro Sanchez. Maestro Sanchez lives in Comas, a distant suburb of Lima which began in the 1960s as a shanty town. It is surrounded by impressive parched stony desert hills. The maestro’s house is at the end of a road near the cemetery and overlooks this immense settlement from where he draws his clients. Sanchez was born in Sondorillo near the legendary sacred lakes of Las Huaringas. At age 11, while still at school, he seemed to have perceptions and to be able foresee things accurately. His astonished teachers thought he was having hallucinations and called for maestro Florentin Garcia. Later Alejandro became his apprentice and learned from him the secrets of plants.

The strangeness of these ceremonies can be seen as part of the ‘trappings’ of rituals in general. Strangeness serves to trick the rational mind so that it will not interfere with the subtle processes taking place in the subconscious. When we are fully awake, things can indeed seem strange… ‘people are strange, when you’re a stranger…’ as the song by The Doors goes. A part of healing is recovering the lost gift of perception, the feeling of being alive again.

Track 5 Mesa with Leopoldo Vilela who was also born near the celebrated Las Huaringas in Radiopampa, an extremely cold place at 3,500 meters altitude. He was 90 years old and in very good health at the time of this mesa which was also held in the ruins of Puruchucu. At three years old he was sent outside to look for herbs for his mother who was suffering from a stomach ache; there he knew he would become a curandero. He used to watch his father who was clairvoyant and assisted people in his community to find their animals when they were lost. He used tarot cards and looked into bottles of aguardiente (firewater) with grains of corn of different colours at the bottom

Don Leopoldo improvises sessions for groups and individuals, which may continue for hours. These are full of idiosyncrasy, and characterized by warmth, dedication and playfulness, which is quite touching at times. The seemingly endless sequence of bottles of tastes and smells and other procedures are often extremely weird while his inadvertent remarks and caresses on his guitar (of his own manufacture) often provoke smiles and laughter in all present.

Human beings have an instinctive awareness of other people’s conscious states of mind. When another person, a shaman, is authentic and spontaneously creative in the moment, this has the power to focus the mind, stopping it from verbalizing and rationalizing. A sense of pure wonder is evoked.

Track 6 Closing calls. The conch shells or pututus, still used in Andean communities today, are handed down from the Incas who obtained them from the Caribbean. They are used for convening meetings and ceremonies.

Tracks 7-9 Shipibo icaros of Mateus Castro, a shaman living outside Pucullpa in Yarinacocha. The arts of the Shipibo, especially textile designs, are closely related to ayahuasca icaros. The words of the chants are symbolic stories telling of the ability of nature to heal itself. For example the crystalline waters from a stream wash the unwell person, while coloured flowers attract the hummingbirds whose delicate wings fan healing energies etc. You might see such things in your visions but the essence which cures you is perhaps more likely to be the understanding of what is happening in your life, allowing inner feelings to unblock so that bitterness and anger con change to ecstasy and love. To awaken from the ‘illusion of being alive’ is to experience life itself.

Tracks 10-16 Dona Cotrina Valles was born in Agua Blanca, Department of San Martin. She apprenticed herself to a maestro in 1979 and later came to live in Iquitos with her husband. Today she lives alone with her children. It is very unusual for a woman to be a shaman in urban situations although they do exist amongst indigenous peoples. Amongst other limiting beliefs, it is thought that women break taboos as they are unable to take dieting seriously because of demands from their husbands and that when they go shopping in the market they will have contact with menstruating women or people who are mal dormida, (ie. a person who has been making love all night).

The diet is a vexed question in the city as the temptations of rich spicy food as well as sex are greater than in the rainforest. As all shamans will tell you, Dona too, says that sex is bad. The ‘mother plant’ loves you and if you make love to another person, you are being unfaithful to her. For this reason it is often said that Ayahuasca is jealous, and if you do not respect her, she makes you ill instead of healing you. You will also not be able to see any visions. The ill effects from not respecting the diet are called cutipa and range from a sense of trauma and stress to skin problems.

Dona’s chants are sung in Spanish and Quechua, as also are the chants of Javier Arevalo which follow. Both Dona and Javier are mestizo shamans, that is to say their ancestors moved to the Amazon from the Andes, rather than being indigenous to the Amazon as the Shipibo are. The melodies of mestizo icaros have an Andean structure and are sung partly in Quechua, a language of the Andes.


Track 17Despacho to Pachamama in the ruins of Pisaq. A despacho is an offering to the Earth Goddess, Pachamama, which nurtures all life on earth. The ceremony symbolizes the reciprocity of nature and speaks back to her saying ‘we understand the message and we have the same attitude’. The word despacho was mistakenly translated into Spanish after the Conquest as pago, meaning payment, to imply a satanic pact with dark forces.

As each participant made their contribution to the despacho convened by the Shamaness Doris Rivera Lenz ‘La Gringa’, Kike Pinto, played pre-Colombian instruments. The first piece is a Harawi from the Department of Cusco played on a quena, or notch flute, made from the wing bone of a condor. This little melody has been handed down from Inca times, thanks to its incorporation into Catholic mass in Colonial times. The second piece is a Haylli from San Pedro de Castas, Department of Lima, played on a ch’iriqway, or antara (panpipes), made from condor feathers. The melody also has pre-Hispanic roots and has survived in a form played on the chirisuya, kind of oboe, of probable Moorish origin. This track is ended with some calls on the putu, or conch shell.

Kike Pinto is a lifetime musician and researcher of traditional Andean music. He has recorded several CDs and is curator of his own Museum of Andean Music in Hatunrumiyoq, Cusco.


Tracks 18-26 Javier Arevalo comes from Nuevo Progreso, a community of 50 families on the Rio Napo. Many generations of his family before him were shamans and already at 17 years old he knew this was his future. However when he was 20 his father died from a virote (poisoned dart in the spiritual world), sent by a jealous and malicious brujo (sorcerer) in his community. Soon after he began his two-year retreat in the rainforest with his maestro grandfather, dieting many plants, later to become his ‘doctors’. During his time in the wilderness he realised that it was better to leave God to punish the brujo who killed his father, and he decided to be a healer not a sorcerer.

There are several different kinds of icaros, at the beginning of the session. Their purpose is to provoke the mareacion or effects, and, in the words of Javier, ‘to render the mind susceptible for visions to penetrate, then the curtains can open for the start of the theatre’. Other Icaros call the spirit of Ayahuasca to open visions ‘as though exposing the optic nerve to light’. Alternatively, if the visions are too strong, the same spirit can be made to fly away in order to bring the person back to normality.

There are icaros for calling the ‘doctors’, or plant spirits, for healing, while other icaros call animal spirits, which protect and rid patients of spells. Healing icaros may be for specific conditions like manchare which a child may suffer when it gets a fright. The spirit of a child is not so fixed in its body as that of an adult, therefore a small fall can easily cause it to fly. Manchare is a common reason for taking children to ayahuasca sessions.

Tracks 18 Llamada de mareacion in which the spirits of various healing plants are called, here the huacapurana, a tall tree with hard wood, whose bark is used for arthritis. Huacapurana is also used as an arcana, or spirit to protect the body. Also the remocaspi whose bark is used to reduce fever and cure malaria.

Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). His website: www.shamanism.co.uk

Icaros, the Magical Chants of the Ayahuasca Shamans

by Howard G Charing

The Shamans of the Amazon, exhibit a close union with the Natural World. This powerful emotional and spiritual bond, enables them to commune with the powers of the Rainforest. Singing the chants or Icaros, is a way that this bond is expressed, and the Rainforest responds.

I recall one night time Ayahuasca ceremony, held in a small clearing in the Amazon rainforest. It was a beautiful clear night, there was no moon, and the sky was filled with hundreds of thousands of glistening stars; just looking up at the sky made my head swim. We were surrounded by trees and bushes, but could only discern their shapes and silhouettes. It felt as if I was in nature’s primordial theatre. When I had drank the Ayahuasca, the shaman started to chant his Icaros, and within a few minutes, there was the song of birds, fireflies flitting everywhere, the jungle around us was responding to the chants of the shaman. It was an exquisite experience, and the following day, when I discussed the opening experience, with the birds and insects appearing when he sang the first Icaro, he replied, “the first chant was to summon and ask the birds, and the insects for their protection”.

There are several different kinds of icaros, at the beginning of the session. Their purpose is to provoke the mareacion or effects, and, in the words of Javier, ‘to render the mind susceptible for visions to penetrate, then the curtains can open for the start of the theatre’. Other Icaros call the spirit of Ayahuasca to open visions ‘as though exposing the optic nerve to light’. Alternatively, if the visions are too strong, the same spirit can be made to fly away in order to bring the person back to normality.

There are icaros for calling the ‘doctors’, or plant spirits, for healing, while other icaros call animal spirits, which protect and rid patients of spells. Healing icaros may be for specific conditions like ‘manchare’ which a child may suffer when it gets a fright. The spirit of a child is not so fixed in its body as that of an adult, therefore a small fall can easily cause it to fly. Manchare is a common reason for taking children to Ayahuasca sessions.

The arts of the Shipibo, especially textile designs, are closely related to Ayahuasca icaros. The words of the chants are symbolic stories telling of the ability of nature to heal itself. For example the crystalline waters from a stream wash, cleanse, and purify a person who is unwell, while coloured flowers attract the hummingbirds whose delicate wings fan healing energies etc. You might see such things in your visions but the essence or core which cures you is perhaps more likely to be the understanding of what is happening in your life. These deep insights allow your inner feelings to unblock so that bitterness and anger can change to ecstasy and love. To awaken from the ‘illusion of being alive’ is to experience life itself.


The Icaros demonstrate the emotional bond between the shamans to the world of nature, and the spiritual powers of the rainforest. The Following Icaro ‘ Icaro Madre Naturaleza’, shows this relationship between man and nature.

English Translation by Peter Cloudsley.

Don't leave me, don't leave me
My mother nature
Don't leave me, don't leave me
My mother nature
For if you will leave me
I would die or of the pain
My tears of desperation
My mother nature
Yes you have the gift of life
Sacred purification in you hands
Blessed mother nature


Don't leave me don't leave me
My mother nature
Don't leave me, don't leave me
My mother nature
For if you will leave me
I would die or of the pain
Tears of desperation
The white veil that your you have
As it covers this child
Clean my body and spirit
With the breath or of your lips
Dearest miraculous Mother.

Don't leave me, don't leave me
My mother nature
Don't leave me, don't leave me
My mother nature
For if you will leave me
I will die of the sorrow
My tears of desperation
In the mountains or upper jungle
Where you give me peace and prosperity
Without regrets neither bitterness
Dearest pure Mother

Don't leave me , don't leave me
My mother nature
Don't leave me , don't leave me
My mother nature
For if you will leave me
I would die or of the pain
My tears of desperation
Where you Take a bath with the plants
Blessed Child put onto me
Your crown of health
Eternally in my heart

In Spanish.

No me dejes no me dejes
Madre mia naturaleza
No me dejes no me dejes
Madre mia naturaleza
Por que vas i ti me dejares
Moriria o de las penas
Llantos y desesperaciones
Madre mia naturaleza
Si tu tienes el don de la
Santa purificacion en ti manos
Benditas madre naturaleza

No me dejes no me dejes
Madre mia naturaleza
No me dejes no me dejes
Madre mia naturaleza
Por que vas i ti me dejares
Moriria o de las penas
Llantos y desesperaciones
El velo blanco que tu tienes
Como cubre a esta criatura
Limpia mi cuerpo y espirutu
Con el soplo o de tus labios
Madre cita milagrosa

No me dejes no me dejes
Madre mia naturaleza
No me dejes no me dejes
Madre mia naturaleza
Por que vas i ti me dejares
Moriria o de las penas
Llantos y desesperaciones
En las altas o montanas
Donde pone paz y prosperaciones
Sin remordimentos ni rencores
Madre cita la pura

No me dejes no me dejes
Madre mia naturaleza
No me dejes no me dejes
Madre mia naturaleza
Por que vas i ti me dejares
Moriria o de las penas
Llantos y desesperaciones
Donde Banas con las plantas
Obendita criatura ponme ya
La corona de la sanidad
Muy eternal en mi Corazon

Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). His website: www.shamanism.co.uk

Ayahuasca and San Pedro Plant Spirit Shamanism

Ayahuasca and San Pedro
Plant Spirit Shamanism
Retreat with Alonso del Rio


Announcing a special Workshop and Shamanism Retreat.
with Alonso del Rio in Mishana, Peru.

Dates: October 13th - 27th 2007

Retreat Guide & Leader: Howard G Charing, Author of Plant Spirit Shamanism, published by Destiny Books (USA). Photo below; Howard with the Great Visionary Artist Pablo Amaringo, who wrote the foreword to his book.




The uses of powerful hallucinogenic plants such as Ayahuasca and San Pedro have been developed by indigenous peoples and early civilizations over thousands of years, and their effects are highly dependent upon the context of the ceremony, the chants and the essential personality of the shaman, all of which can vary with surprising results.

Diverse urban uses have emerged recently and a few of these are spreading, while some traditional shamans travel the world, thus Ayahuasca is gaining recognition in Western civilization. But what really is the potential of these ancestral plants, and how can we get the most out of them?

In this special workshop – shamanism retreat, the Peruvian maestro ayahuasquero Alonso del Rio will be with us for 10 days and hold ceremonies with both Ayahuasca and San Pedro. Alonso will open us to a different dimension from working with a traditional shaman. He has both an Amazonian and Western background and is therefore well placed to understand the problems of modern people and help them to greater self knowledge.

He will share his wealth of insight into Amazonian and Andean cosmology in a series of meetings with time for discussion and questions. Apart from the ceremonies, he will be offering a choice of two plants to diet: tobacco and guayusa. Both of these work with your dreams, making them more conscious and 'real', in order to rest the rational mind and explore more deeply inwards.




About the maestro


Alonso is a powerful maestro who interweaves Shipibo and other icaros with sacred music of his own to lead you on your journey; he is both a talented musician and an inspiring communicator of the Amazonian shamanic world. He first came into contact with ayahuasca in 1979 after spending three years working with huachuma (San Pedro). This was when he met Don Benito Arevalo, a grand Shipibo shaman with whom he developed a long relationship, and who gave him his first teachings in ayahuasca and other medicinal plants.

Later, taking ayahuasca alone as part of his traditional teaching, he says: "I didn't feel comfortable reproducing the chants that I'd learned with my maestro, so one night I picked up my guitar and began to play what came to me and the result was surprising. From then on I was never without my guitar at ceremonies and over the years many songs came to me, set to different rhythms for ceremonies and incorporating teachings and revelations from the medicine itself.” He has published three CDs to date. Alonso lives in the sacred valley of Cusco where he runs a healing centre and a primary school for local children.

The potential and purpose of Ayahuasca

For most traditional shamans, ayahuasca is a tool for diagnosing illness, and as curanderos, (healers) they will mediate with plant spirits to heal their clients both physically and spiritually. More ‘popular’ urban shamans can also use their magical powers to change your luck, for example attracting money or a lover.

On this retreat we would like to develop another aspect, perhaps even more serious, and use the plants as powerful tools for self knowledge. Amongst all the spiritual paths that the world offers, Alonso believes that, at this time, teacher plants are the best way for people to gain a deep knowledge of themselves and at the same time this can solve some problems that other paths cannot.

During his 30 years experience with ayahuasca and San Pedro, Alonso never wanted to be a shaman or attain magical powers but rather gain self development through self knowledge. He will share his discoveries to help us ‘undo’ the mental programming and the cultural conditioning (family and ancestral) which models our minds.

Ayahuasca is a powerful tool for being happy and free, says Alonso, who disagrees with the way many shamans work today, considering that they often deceive people by telling them what they want to hear like gypsies at a village fare! ‘You will have many suitors, etc.’

This retreat could equally suit a person who has some background in Buddhism, yoga or mysticism. It is a space for having contact with divinity without intermediaries or interpretations. Ayahuasca allows you to be gently introspective, to see your fears, worries and everything that makes you suffer! It can take you back through your life to show you at what moment the suffering took hold in your body and in your memory, how it has made you live on a superficial level because underneath there is too much pain, and as we don’t want to feel pain, how we condemn ourselves to living on the surface. With ayahuasca we can enter the pain at the time when we were children, when we experienced the first traumas and agonies of life, and cleanse it by forgiving the whole chain of events and the people who made us suffer. Traumatic experiences are inevitable in life, but what we cannot afford to do is live with resentment and blame people, as this ruins our relationships.

Some people may not be satisfied with the life they lead. Ayahuasca enables them to see their priorities. Is it following a spiritual path that you want most, or making money? Do you want to start a family or do you want to pursue your career? Constantly doing what is expected of us we cause suffering. The answers are all inside us. We must live by what we profoundly want. Ayahuasca clarifies your priorities and feelings, which are neither good nor bad in and of them selves.

Photo 'Sunset at Mishana'

About the diet plants


Tobacco is important throughout the Amazon. For many indigenous groups and in many legends, it is considered the first medicine because it is used alone, unlike ayahuasca which is prepared with two plants because the one alone is not possible to assimilate due to enzymes in the stomach. How did indigenous people gain knowledge of this complicated chemical process? They needed plants which could be used without any preparation or mixing. Alonso suggests Tobacco was a path to the discovery of ayahuasca, thus in many legends tobacco is the father, which gave origin to civilization. Tobacco does not engender cancer if it is not burned. Guayusa has a similar function giving knowledge of other plants and is very effective for lucid dreaming and problem solving. It contains escorpoline but little else is known of its pharmaceutical properties.


Mishana Private Retreat Centre


This programme will take place in the Mishana Private Retreat Centre. We have 57 Hectares (140 acres) of land with a lodge in the Allpahuayo Mishana Nature reserve. Our lodge is located directy on the river which is part of a 58,070 hectare nature reserve.

Due to a combination of geological factors and diverse soil types, the reserve supports a unique community of plant and animal species. It is the ‘jewel’ in the crown for bird-watchers and contains dozens of species which are unique to this area. The Reserve contains one of the highest biodiversities known in the Amazon basin. The Lodge is located directly on the Rio Nanay which is a tributary of the Amazon River.

Our lodge is situated in-between two bends of the river giving an amazing panoramic view . We have our own boat so trips can be made to some interesting, and extraordinarily beautiful places along the river. The lodge is a 2 hour river journey from Iquitos by power boat. We have the dedicated services of maestro shaman Artidoro Aro Cardenas. Included in the program are individual personal healing or consultative sessions based upon your personal needs by our shaman. The maestro will also provide experiential teachings about the fascinating medicinal and psycho-spiritual properties of the local plants. Participants can choose their plant medicine which will be made fresh for them.

Our accommodation is in comfortable traditional cabins or tambos (dieting huts), a leaf roof supported by poles and with open sides (the most intimate way to sleep in the jungle). The beds benefit from a comfortable mattress and fly nets when necessary. The tambos are spread out to assure privacy and minimum disturbance from others. Participants have a choice of using either the cabins in the 'Casa Grande' annex or tambos for their retreat.

During the day when there are no activities, there will be hammocks to relax in, and you can read, or wander into the forest, or swim in the river (there is a small sandy beach). Our ceremonies and meeting will be held in either the Casa Grande with an open platform on stilts directly on the river with a magnificent view of the rainforest and star filled sky. or our maloca (ceremonial temple), a large circular tambo made of natural materials and shaped like a womb. We will eat our meals in the lodge, the traditional meeting place, where food is cooked on a wood fire.

Single Accommodation

One of the unique characteristics of this programme is that we offer single accommodation throughout both in the hotels in Lima, Iquitos, and at our Centre in Mishana. This ensures that participants can obtain the maximum benefit from their encounter with the plants. The Diet really needs to be taken in solitude and personal retreat without distractions. This is a defining characteristic of this programme. Typically other programmes do not offer this and dormitory / shared accommodation is usually the rule. Our Tambos (individual accommodation huts) are all different and are spread out, some with more isolation than others and we also have individual accommodation rooms in the wing of our Casa Grande for those who would prefer being close to the main facilities. There are photos on the web or I can send pictures on request.

Excursions

There will be opportunities to make night time dugout canoe fishing trips with Pedro our hunting guide and power boat trips along the river. There will also be a resident craftswoman to demonstrate and teach us to make the unique Amazonian crafts and textiles.

The proposal

Our intention in this journey is to provide the conditions and orientation to enable participants to follow a proper diet, and for it to be as near as possible to what indigenous people have done for thousands of years, (although we can avoid unnecessary hardship, in any case a diet is not a trial of endurance).

The diet is a journey of self-exploration and the maestro is there to give support, not to impress us with a ‘show’, as do some of the ayahuasca shamans who work with Westerners. It is tempting to imagine that shamans with the gift for engendering powerful experiences in their clients are necessarily spiritually evolved and benevolent, but unfortunately this is not always the case. It is more important that the shaman is an evolved and impeccable person, who will guide us to learn for ourselves and benefit from our experiences in safety.

Participants will undertake to ‘diet’ a plant for a full six to eight days, selecting their plant from a range of options which will be explained by the maestro and depend on individual requirements. Some plants are good for specific ailments as, for example Chuchahuasi for arthritis and other bone conditions, although there is always a magical world opened up by the plant spirit. Other plants have specific spiritual benefits. Chirisanango and Ushpahuasanango, for example, open up the heart and are healing to emotions. Guayusa works very curiously on one’s dreams, affording an experience of being conscious while in fact asleep or dreaming. The plants used will all be compatible with Ayahuasca so that we can benefit from the plant diet during Ayahuasca ceremonies. There will be a programme of talks, exercises, individual sessions and group meetings without prejudicing the spirit of the diet. This is a way to learn from observation and intimate contact with nature, practical artistic exercises using local materials.

We will participate in the gathering and preparation of Ayahuasca, a prolonged ritual in which power is invoked from the planta maestra. We will learn about healing plants and how to find them.

The Shaman’s Diet

For a future shaman or person seeking wisdom, the plant diet is the first step in the journey of initiation, however it can also be used to cure physical illness or as a means of achieving spiritual well being. During the diet a concoction made from your chosen teacher plant is usually brought to you each morning by the maestro and drunk on awakening. After you have got to know a plant spirit in this way, it becomes your ally and a shaman can then use it for healing his clients.

A diet for a serious illness may last for several months and sometimes in the process, the person discovers his ability to heal, decides to apprentice himself, and goes on to diet many more plants. The apprentice’s diet is normally undertaken deep in the forest, and alone with the maestro, but in practice it can be very difficult to find ideal conditions of tranquillity, support, the proper food and distance from temptation, yet with adequate conditions of comfort.

The most important things to avoid are pork, red meat, fat, salt, sugar, alcohol, drugs - including medicines - and sexual activity. This diet is begun in a more liberal form the week before starting to take the plant, and is continued for a while afterwards. Its purpose is to prepare the body and nervous system for the powerful knowledge and expansion of consciousness given by teacher plants. In everyday life, the mind creates the illusion that we are separate from reality, and thus protects us, like a veil, from experiencing the vastness of the universe. Access to the truth without preparation could be a radical shock to the system.

Teacher plants act as a bridge to a realm of knowledge which goes beyond individuals or plants, however they vary greatly, as each plant shows us its own world. Ajo sacho, for example, tunes you in to the reality of the rain forest, sharpening the senses and inhibiting body odour through its own garlic smell, so that you will not be detected by animals in the forest. It has been used to improve hunting skills for thousands of years. The magical world to which we are transported by plants is not accessible through the verbal rational mind but through dream language. Thus dreams act like doorways during a plant diet and connect us with the plant spirit.

Diets are not invented by maestros, they are given by the plant spirits themselves,but there is more to it than simply abstaining from certain foods and activities. It involves a state of purification, retreat, commitment, and respect for our connection with everything around us - above all the rain forest. When we listen to our dreams, they become more real, and equally important as everyday life. For this reason we do not encourage distracting or libidinous thoughts, dreams or fantasies.



To quote the Shipibo maestro Guillermo Arevalo who worked with our group on the February 2003 Retreat,

“ Whether the diet is to heal the body or the spirit or whether it is part of an apprenticeship, what makes it work is your good intention towards the diet. Also the good intention of the maestro who helps make the connection with the spirit of the plant. He must know how to get into the altered state to be in contact himself first. They are beings, which have their own forms or they can be like human beings with faces and bodies. When the spirit accepts the dieter, and the dieter has the will, the spirit grants them energy. The path to knowledge opens, the healing takes place, as the case may be.”


Shamanism: The Plants


Working with teacher plants is known as the ‘shaman’s diet’. The purpose of the diet is to prepare the body and nervous system for the powerful knowledge and expansion of consciousness given by teacher plants. In everyday life, the mind creates the illusion that we are separate from reality, and thus protects us, like a veil, from experiencing the vastness of the universe. Access to the truth without preparation could be a radical shock to the system. It offers a significant challenge for the rational Western mind to come to terms with the teacher plants, and a leap of imagination is required to incorporate the ‘other’ consciousness of the plant.The magical world to which we are transported by plants is not accessible through the verbal rational mind but through dream language or an expansion of the imagination. Thus dreams & our imaginative powers act like doorways during a plant diet and connect us with the plant spirit.

Some Plants


Mocura; taken orally or used in floral baths to raise energy, or take you out of a saladera (a run of bad luck, inertia, sense of not living to the full). This plant gives mental strength and you can feel its effects as also with ajosacha, both are varieties of garlic and have a penetrating aroma. Mental strength means it could be good to counter shyness, find one’s personal value or authority. Medicinal properties include asthma, bronchitis, reduction of fat and cholesterol. Another of its properties is that it burns of excess fat.

Piñon Colorado; this plant has short lived effect after drinking but helps dreaming later on when you go to sleep. Piñon Colorado can also be worked with as a planta maestra (teacher plant). Medicinal properties include dealing with Insect bites and stings, vaginal infections, and bronchitis. It is possible to take the resin which is much stronger but toxic if too much ingested. The resin can be applied directly to the skin.

Chirisanango; this plant is good for colds and arthritis and has the effect of heating up the body, so much so that the maestro advises a cold shower after each dose! This plant can be used in baths for good luck, and bring success to fishing, hunting etc. This planta maestra also makes possible for people to open up their heart to feel love for people and animals, and identify with other people as though brothers and sisters.

It grows mainly in the Upper Amazon and only a few restingas (high ground which never floods) in the Lower Amazon. The shamans say that plants connect us with nature because they take their nourishment directly from the earth, as well as the sun’s rays, the air. They allow us to know and recognize ourselves. A shaman must know this and must love his people to heal them. The gift of Chirisanango is self esteem i.e the ability to recognise ourselves.

The shamans say that this plant opens up the shamanic path, assuming that we are prepared to live under the rules of shamanism, to do this we need courage and no fear of extremes or negative & challenging circumstances. We need to understand what role we will play in society and have the heart of a warrior.

Guayusa; It is good for excessive acidity and other problems in the stomach and bile. Also it is both energizing and relaxing at the same time and develops mental strength. This also has the most interesting effect of giving lucid dreams i.e when you are dreaming you are aware that you are dreaming. The plant is also known as the "watchman's plant", as even when sleeping you are aware of the outer physical surroundings.

On another personal note, I found the experience with this plant also to be quite incredible. I found that the usual boundary between sleeping and being awake to be more fluid than I had anticipated. Even now, sometime after taking the plant my dreams are more colourful, richer, and lucid than before. For those interested in 'dreaming' this is certainly the plant to explore.

Ajo Sacha; An important planta maestra in the initiation of Amazonian shamans. Mental strength, acuity of mind, saladera (explained above), for ridding spells, self healing. Originally used to enhance hunting skills by covering up human smell with the garlic smell of Ajosacha.

On another personal note, I found my senses being altered and enhanced with this plant. I could zoom in and focus on sounds emanating from the rainforest, my sense of smell became sharper, and in some ineffable way I could tune into the breathing or rhythm of the rainforest. The sound of insects and birds was no longer a random phenomenon, these sounds became a rhythmic breath, rising and falling. No wonder that it is used for hunting as one's sense are heightened in an incredible way.

Icoja; A bark used for malaria, fever, an astringent, disinfectant for healing septic wounds. Used against Uta - a kind of leprosy found in the Amazon. Wounds are washed directly with this plant, and it is also used for an infectious disease (Pilagra) in children.

Chanca piedra; Used for Kidney problems especially kidney stones (hence the name ‘stone crusher’), gall bladder, disinfectant. This is recognised as a gall bladder and liver tonic. It is also used for cleansing the urinary system and for dealing with intestinal parasites. This plant is only used for its many pharmaceutical properties, not a planta maestra per se.

Sachamangua; This is a large single seeded fruit, which when you crush the fruit and squeeze the juice into the nose, it warms the area locally (it can sting a bit), and it is effective for curing sinusitis. It also helps the eyesight and restores visual acuity by relieving the pressure from the sinuses. You eliminate a lot of mucus and this gives relief. The fruit when ripe is normally eaten peeled or roasted, and is a little like the aguaje fruit, but for medicinal uses it must be green. It is also good for tired feet in an poultice. Taken orally it is useful for the liver when struggling with the digestion of fat, it is also a treatment for gases. Fungal spores in the nose can cause itching, rhinitis or allergy and Sachamangua is effective for this too. Athlete’s foot can also be treated with the dry powder, like talcum powder, prepared from this fruit.

Cat’s Claw (una de gato); Cat's Claw is a tropical vine that grows in rainforest. This vine gets its name from the small thorns at the base of the leaves, which looks like a cat's claw. These claws enable the vine to attach itself around trees climbing to a heights up to 150 feet. The inner bark of this vine has been used for generations to treat inflammations, colds, viral infections, arthritis, and tumors.

Cat's Claw can be used as tonic to boost the body's immune system. And is considered by many as a ‘balancer’ returning the body's functions to a healthy equilibrium. Its has anti-inflammatory and blood cleansing properties as well as being able to clean out the entire intestinal tract and therefore helps treat a wide array of digestive problems such as gastric ulcers, parasites, and dysentery.

From a psycho-spiritual, plant spirit, or shamanic perspective in which disease and illness can be initiated by a spiritual imbalance within a person causing the person to become de-spirited, or losing heart (in the West we would call this depression), it can restore this inner sacred union of spirit and physical body.

The medicinal properties of this plant are officially recognized by the Peruvian government and it is a protected (for export) plant. It is available widely in the west in capsule form. In the markets in Iquitos it is available in bark form, and many indigenous communities are increasingly cultivating this plant

Boahuasca; Used to heal Cancer of the stomach and intestines and prolapses. Also used against Uta, and cancerous, malignant wounds. The shaman's make an ointment from the ash and apply directly.

The underlying truth that is revealed in working with the plant spirit or consciousness is that we are not separate from the natural world. We perceive ourselves to be separate beings with our minds firmly embedded within our being (typically our head). The plants can show you that this way of being is an illusion and that we are all connected, all of us and everything else is a discrete element in the great universal field of consciousness. This is an area where the ancient knowledge of the peoples of the rainforest and modern quantum physics point in the very same direction, “Reality is an illusion, albeit a persistent one’ Albert Einstein.

Another way of seeing the shaman’s diet is that like the platitude ‘all roads lead to Rome’, all plants lead through different paths of experiences to the same place, i.e a deep and expanded understanding of one’s place in the world around us and a recognition of self as an intrinsic element of this.

The indigenous people of the Amazon see life as having enough purpose just as it is. Fulfilment comes from being in tune with the spirits so there is an abundance of fish, bananas, yucca for making masato (alcoholic beverage), and plenty of healthy children, in short, life is for being happy!



The Shaman

We are very delighted to have secured the services of some of the most experienced shamans in the region, during our Retreats we will work with one of the following shamans;, Artidoro Aro Cardenas, Javier Arevalo and Leoncio Garcia.


Artidoro Aro Cardenas

We have worked with Maestro Artidoro on our previous Amazon Retreat, and again we were greatly impressed with his knowledge of medicinal and power plants, and his compassion and support for the participants. Although Artidoro is Mestizo he has lived amongst the Ashaninka Indians for many years, and has learned their languages which result in that many of his chants come from a variety of indigenous groups including the Ashaninka, Cashibo, and Capanaua .He has started his own centre near Iquitos.


Javier Arevalo

We have worked with Javier many times on our Retreats, we also brought him to the UK for a special Amazonian Medicine camp in 2002. We are greatly impressed and moved by his dedication, and his commitment to the demanding rigours of an Amazonian shaman.It is fair to say that everybody who has worked with Javier has been touched by his kindness, compassion , humour, and spirit.


Leoncio Garcia

The Shipibo maestro is now in his mid 70's with the appearance of a man in his 50's. He was born in the Shipibo community of San Francisco by Yarina Cocha (an oxbow lake near Pucullpa). On a number of occasions he has worked with medical doctors in various cities in Peru. Don Leoncio also founded a healing centre near Nina Rumi on the Rio Nanay.


Workshop and Shamanic Retreat with Alonso del Rio.

Dates: October 13th - 27th 2007

Day 1 Saturday Arrive in Lima & Transfer to Hotel. Overnight at the comfortable 3 Star Hotel La Castillana in the Miraflores district of Lima.

Day 2 Late morning fly Lima-Iquitos, transfer from the airport to port then by power boat to the Mishana Private Retreat Centre, introduction, make decision of plant to be dieted. Welcome Jungle Dinner.

Day 3 - 12 At this special workshop - retreat, the Peruvian maestro and ayahuasquero Alonso del Rio , will be with us for 10 days and hold ceremonies with both ayahuasca and huachuma (San Pedro). Alonso will open us to a different dimension from working with a traditional shaman. Having both an Amazonian and occidental background, he is well placed to understand the problems of modern human beings and help people towards greater self knowledge.

He will share his wealth of insight into the Amazonian and Andean cosmology in a series of daily meetings with time for discussion and questions.

Day 13 Thursday mid morning departure for participants on two week programme leave Mishana by power boat to Iquitos for relaxation in luxury Three star Hotel Victoria Regia with swimming pool located near the Malecon overlooking the Amazon.

Day 14 Friday, morning Flight returning to Lima. Time at own disposition. Overnight at Hotel La Castillana.

Day 15 Saturday, International Return Flights.

Costs: £1,800 , US$ and EURO at FX rates.

Please refer below for details of what is included etc in costs.


Amazon Retreat: Summary itinerary: November 10th - 27th 2007

We will also have available., Eugene Bersuker, a Yoga teacher, trained in India, Shivananda Saraswati School of Yoga. Traditional Hatha and Yoga for Healing. Yoga postures and meditations used to relieve tensions, purify mind/body, and raise vibrations. An instructor in Chi Gong, and Eugene is also a Licensed Massage Therapist - Swedish and Shiatsu.

Eugene will be offering Yoga and meditation classes, with individual massages available (fee payable).

Day 1 Saturday Arrive in Lima & Transfer to Hotel. Overnight at the comfortable 3 Star Hotel La Castillana in the Miraflores district of Lima.

Day 2 Late morning fly Lima-Iquitos, transfer from the airport to port then by power boat to the Mishana Private Retreat Centre, introduction, make decision of plant to be dieted. Welcome Jungle Dinner.

shamanic retreat, also includes Yoga and Meditation with Eugene Bersuker (see below)

Days 3 , 4, 5, 6, 7 , 8, 9 , & 10 Start plant diet with seven Ayahuasca sessions.

Day 11 ‘Cut’ the diet for participants on two week programme, end to drinking plants but continue with ‘liberal’ diet. Final evening meeting and supper.

Day 12 Wednesday mid morning departure for participants on two week programme leave Mishana by power boat to Iquitos for relaxation in luxury Three star Hotel Victoria Regia with swimming pool located near the Malecon overlooking the Amazon. Participants on three week programme enjoy a full week longer at Mishana. At Mishana we take a little break before continuing with the Plant Diet and Ayahuasca Sessions After the break we continue with the Plant Diet and Ayahuasca Sessions with Artiduro.

Days 13 Thursday, participants on two week programme, free time for going to the market to buy jungle plants and products, to sit on the Malecon and dream over a view of the river or write a journal. Alternatively, we can help you arrange optional excursions to visit the botanical gardens and sandy beach for swimming at Quistacocha, or to see the Bora Indians.

Day 14 Friday, participants on two week programme, morning Flight returning to Lima. Time at own disposition. Overnight at Hotel La Castillana. Mishana resume Plant Diet and Ayahuasca Sessions (additional four sessions).

Day 15 Saturday, International Return Flights for Participants on two week programme.

Day 16 Sunday, Continue Plant Diet and Ayahuasca Sessions,

Day 17 Monday, Continue Plant Diet and Ayahuasca Sessions

Day 18 Tuesday, Close Plant Diet

Day 19 Wednesday, Return to Iquitos. leave Mishana by power boat to Iquitos for relaxation in luxury Three star Hotel Victoria Regia with swimming pool located near the Malecon overlooking the Amazon

Day 20 Thursday, Free time in Iquitos, Farewell Dinner

Day 21 Friday, Morning Flight returning to Lima. Time at own disposition. Overnight at Hotel La Castillana.

Day 22 (Saturday 11th) International Return Flights

Costs: £1,700 , US$ and EURO at FX rates.


What the price Includes:

• Single Accommodation throughout. Note: no single accomodation surcharge.
• All transport from Lima hotel to and from our Retreat Centre at Mishana, including internal flights
• Breakfast throughout plus all meals at the lodge & farewell celebration dinner in Iquitos.
• Permits to enter the Mishana Reserve.
• All Ceremonies and services from shamans at the Retreat Centre.
• All tips for porterage etc

What is not included in the price

• International airfare
• Transportation to and from your Airport of Departure
• Transfers from Lima airport on arrival to the Hotel, and departure transfer to the airport from the hotel.
• Local airport taxes (approx US $5 per flight)
• International departure tax currently US $28 from Lima
• Additional meals & drinks
• Peru Visa costs for non EEC or USA nationals
• Personal expenditure such as drinks, laundry
• Travel Insurance
• Additional nights either before or after the tour (we can book them for you)
• Additional tips & gratuities & individual one-to-one sessions e.g. shamans

Optional Extension Week - November 25th - December 1st 2007
Extension week Costs £700. US & EURO at FX rates.

For Full Programme: Eagle's Wing Centre for Contemporary Shamanism.

Full Details at www.shamanism.co.uk

Photo Galleries at www.shamanism.slide.com

email: eagleswing@shamanism.co.uk
Tel: (44) 1273 882027

USA Tel contact: (415) 508-3975.

SKYPE Contact: HGC999

Howard G. Charing, is an accomplished international workshop leader on shamanism. He has worked some of the most respected and extraordinary shamans & healers in the Andes, the Amazon Rainforest, and the Philippines. He organises specialist retreats to the Amazon Rainforest at the dedicated centre located in the Mishana nature reserve. He is the author of the best selling book, Plant Spirit Shamanism (Destiny Books USA). His website: www.shamanism.co.uk